Question

the balinese theatre has revealed to us physical and non verbal idea of the theatre true or false? ​

Answer 1

Answer:

Balinese theatre and dramas include Janger dance, pendet dance performances and masked performances of Topèng. Performances are also part of funeral rituals involving a procession, war dance, and other rituals before the cremation of the patulangan. [1] Balinese use the word sesolahan for both theatre and dance.[1]

Arja (dance), Balinese dance-opera

Barong dance performances featuring Rangda, a dancer with keris, Jero Gede (black masked figures) and Jero Luh (white masked performers)

Barong Ket: lion barong, the most common Barong, it is the symbol of a good spirit.

Barong Landung: giant barong, the form is similar to Betawi Ondel-ondel

Barong Celeng: boar barong

Barong Macan: tiger barong

Barong Naga: dragon (or serpent)

Gambuh, plays with chanting and music including the use of long flute like instruments

Topèng, masked theatre

Calonarang, performances at temples during times of danger or difficulty that involve stories

Drama Gong, popular theatre developed in the late 1960s

Sendratari, a group ballet form that emerged in the 1960s that includes a dhalang puppeteer giving dialogue and often a gamelan (orchestra), Sendratari or Kècak chant

Javanese Wayang shadow plays are performed in Bali.

Answer 2

True

Explanation:

• Balinese theatre comprise pendet dance, Janger dance  and masked performances of Topeng. Balinese utilise the word sesolahan for dance as well as theatre.
• The Balinese theater has shown to us a non-verbal and physical idea of the theatre, wherein theatre, independent of the written text, is encompassed within the limits of what can take place on stage.