The famous painting monalisa reflect which theory
Answers
Answer:
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Explanation:
The first theory is that of Picasso’s involvement in the theft of the Mona Lisa from the Louvre in August 1911. Suspicions about Picasso’s involvement in the heist were first aroused on the 29th of August, 1911, when a man named Joseph Gerry Pieret visited the Paris-Journal and claimed that he had become an expert in stealing small artefacts from the Louvre. Pieret was able to supply proof of these claims, whilst supplying them with some incriminating evidence against the poet Apollinaire in the Mona Lisa Case. This admission would of course lead to Pieret becoming a key suspect in the case too, but his identity was kept anonymous by the Paris-Journal. The police eventually found the identity of the anonymous source which quickly led them to link both Pieret and Apollinaire to the case.
The next theory is that the Mona Lisa is, in fact, a self-portrait of Da Vinci as a woman. The identity of the sitter in the Mona Lisa is one of art history’s most talked about mysteries, with the most widely accepted theory being that she is Lisa Gherardini, the wife of Francesco del Gioconda, something which Giorgio Vasari stated. There is another theory about the Mona Lisa’s identity which brings a completely new perspective to the work; the Mona Lisa is actually a self portrait of Leonardo Da Vinci as a woman. Supporters of this theory site the artist’s love of riddles as their main cause of suspicion. She is looking at us with that half smile and knowing look — questioning whether we will we every work out the true answer. Additionally, artists including Lillian Schwartz have used computer programs to find similarities between the Mona Lisa and his other self-portraits. At one point, there were even plans to exhume the remains of Da Vinci in order to properly investigate these claims.
Another theory along a similar vein is that the portrait is not of Leonardo, but his good friend and suspected lover Gian Giacomo Caprotti, also known as Salai. It is said that Salai would regularly dress as a woman, so a portrait of him as a woman would not be shocking. Another convincing factor is that Salai would frequently sit for paintings by Leonardo, and upon comparison, the facial features of some of these portraits are similar to the Mona Lisa. This theory is heavily supported by Silviano Vicenti, the head of the National Committee for Cultural Heritage, who found striking similarities when comparing infra-red scans to other works depicting Salai.
The last theory is that the Mona Lisa’s smile is a recovered memory of the smile of Leonardo’s mother. The smile of the Mona Lisa is another much debated subject; is she smiling or is she sad? It seems today that the overwhelming opinion is leaning in the direction of a smile, but there is another far more interesting theory about the famous woman’s face. Sigmund Freud theorized that Da Vinci was in love with his mother, from whom he was taken at an early age, so in his mind he had formed an image of her smiling at him. The same smile we see on the Mona Lisa is found on the faces of women throughout Da Vinci’s body of work, therefore it was theorized that this mysterious smile was in fact a recovered memory of his mother’s smile.