the tempo of si pelimon si
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Answer:
Si pilemon is a popular Cebuano folk song about a fisherman's travel to catch a fish, sell it, and earn a little cash ...
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Paso doble
The paso doble is a dance that is also called the Spanish one-step in 2/4 time; it is danced with a single step to a beat, and with a lot of spontaneity and free movements; the male leads the female moving forward and backward, turning together or singly in a circle using a variety of hand movements and holds. It became a very popular and stylish ballroom dance in the Philippines, and is at present being revived in dancing clubs and social gatherings. The paso doble accompanies the quick entrances and exits of prince and princess in the traditional komedya (comedy), a verse play usually set in European kingdoms; and the hudyo (Jew) in the traditional sinakulo, the verse play on the life and sufferings of Jesus Christ. Usually played by a band or an orchestra, the paso doble may use old or current melodies, such as "Bridge on the River Kwai" and "Roll out the Barrel."
Originating from Spain, this dance is a regular part of the social dance repertoire in Spanish-speaking countries and in Europe since 1918. Paso doble simulates the atmosphere of the corrida (bullfighting), with the woman as the cape and the man as the toreador taunting the bull. The body is distinctly upright with a taut haughtiness of bearing; the steps taken are short, and the feet always directly beneath the body. R. G. Alejandro and N. G. Tiongson
Source:
1994. CCP Encyclopedia of Philippine Art, Volume 5, ed. Nicanor Tiongson, Manila, Philippines: Cultural Center of the Philippines.
Polka
The polka, considered as the national dance of Bohemia (Czechoslovakia), was among the first dances introduced by the early European immigrants to the Philippines and by Filipinos who had been to Europe. It was popularized in the Islands no later than 1859. It was usually performed as a ballroom dance during fiestas or grand social affairs. The basic dance step of the polka is executed to a duple meter with a step-close-step pattern following the one-and-two rhythm. Other polka steps used in the dance are the heel-and-toe polka, the hop polka, the gallop, chasing steps, and the hop step. Every locality would have its own version, but the basic steps, the plain polka and the heel-and-toe polka, were always included.
The Quezon polka is performed in sets of four pairs in square formation. In Bataan the dance is called polka tagala. In one figure of the dance, the ladies kick their voluminous skirts forward and backward to show off their beautiful lace petticoats. In Batangas, the dance was called polka sa nayon, while in Mindoro it was known as polka sala. Among the Visayans, the dance was called polka antigo, and in Negros Occidental polka italiana.
In Ilocos Norte, there is a courtship dance called sileledaang, which means laden with sorrow. Interestingly, the dancers here show their fondness for each other using the basic polka step to a tempo.
The maliket-a-polka is another version of this dance form. Maliket in Pangasinan means happy therefore, happy polka. This is danced during fiestas in honor of the Santo Niño, patron saint of a barrio of Pangasinan. When the dance is performed today for the stage, the balintawak with tapis and soft pañuelo draped over the left shoulder is used by the girls while the camisa de chino and any pair of colored trousers are used by the males.
Source:
1994. CCP Encyclopedia of Philippine Art, Volume 5, ed. Nicanor Tiongson, Manila, Philippines: Cultural Center of the Philippines.
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