the two popular form of amusement were singing and revelation/dancing(Egyptians)
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Dancing played a vital role in the lives of the ancient Egyptians. However, men and women are never depicted dancing together. The trf was a dance performed by a pair of men during the Old Kingdom.[citation needed] Dance groups were accessible to perform at dinner parties, banquets, lodging houses, and even religious temples. Some women from wealthy harems were trained in music and dance. They danced for royalty accompanied by male musicians playing on guitars, lyres, and harps.[citation needed] However, no well-bred Egyptian would dance in public, because that was the privilege of the lower classes.[citation needed] Wealthy Egyptians kept slaves to entertain at their banquets and present pleasant diversion to their owners
Explanation:
The oldest known depictions of dance in this region are found in Predynastic era rock carvings, a linen shroud, a wall painting, a clay model, and pottery in Upper Egypt. The earliest examples of Predynastic dancers come from pottery of the Badarian culture from the 5th millennium B.C. and Naqada I and Naqada II cultures from the 4th millennium B.C. The importance of dance appeared to lessen over time as dancing scenes became rare in the late Naqada period.
Solo, pair and group dances
Tomb of the Dancers, wall painting, 17th Dynasty, Thebes, Second Intermediate Period
Ancient Egyptian dancers danced either as soloists, in pairs or in groups, depending on the occasion and type of the dance performed. Individual or solo dances included performances by the king or priests designated as his representatives. The king would perform the sun dance and he or his deputy danced at the harvest festival honoring Min of Koptos, a fertility god.
Pair dancing
In pair dancing, two people of the same gender would perform together. This form of dancing was established by the 6th dynasty. An image from this time depicted female pair dancers with canes. 5th dynasty female dancers are shown to hold hands while performing in unison. The dances used symmetrical and dramatic movements and conveyed emotions such as longing or depression.
Group dances
There were two types of Egyptian group dances. One was performed in individual movements that confirmed a theme or idea or was carried out spontaneously as in prehistoric times. Dancers competed with one another, often in groups, substituting movement that were later established in funeral dances rites.(Lex ova 1935) A second type featured pairs or ranks of dancers who executed repetitive movements in a circle. Banquets and festivals often included performances by trained pair dancers.
Funeral dances
A fragment of the frescoes on the wall of the tomb chapel of Naaman, depicting guests, servants, musicians, and dancers at a funerary banquet
Dances associated with funerals included ritual, postures and gestures and secular dances
Old Kingdom performers included a specialized group of female dancers called “the acacia house.” Dances by the acacia house followed mummification and were aimed at appeasing the goddess Sekhmet and rejuvenating and mourning the dead. Khener dancers are often portrayed entertaining the rejuvenated deceased while he eats from the offering table.
The women in banquet scenes playing music and dancing for the deceased and his family, especially in New Kingdom tombs, were not all professional and sometimes included close family relations. The scenes reflected what was hoped to be replayed in the afterlife.
During the Middle and New Kingdom periods, a separate funeral dance was practiced dedicated to Hathor in the goddess's role as guide for the dead into the afterlife. It involved leaping or skipping and was accompanied by a sung or spoken prayer to the sounds of percussion, including the clapping of hands and sticks.