To mar holo Sara ____tagore song sung ____octogenarian , lata mangeshkar, the nightingale of India left _____audience mesmerised . she had once sung it____ late composer singer, hemanta mukhopadhyay. ( preposition & articles ) right answer will be marked as brainliest and wrong answers will be reported
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Lata Mangeshkar, the name says it all—a name that epitomizes a number of paradigms and shifts, yesterday and today. Born on September 28, 1929, in Solapur, Maharashtra, in a Marathi family of linnets and larks—melodious parents and four younger siblings—Mangeshkar embodies a number of aspects that call for a revelatory analysis, at any point in time. As she turns a year older, we look (forward) at her and be as mesmerized as antiquity has always been.
We, thus, celebrate with a rather different take on this Bharat Ratna, who lights up India’s culture space. As one of her dear friends and biographer, Nasreen Munni Kabir writes in Lata Mangeshkar in her Own Voice, ‘Her songs have helped spread an appreciation of Hindi film music throughout the world. In India, she has achieved iconic status, and created everlasting music that has become the soundtrack to our lives.’ But beyond that, the fact that she is the only Asian to receive platinum disc from EMI, London, also speaks of her international standing
Explanation:
Reigning over the charts and hearts for about 70 years, there is no doubt that Mangeshkar is an institution in Bollywood. This is not just for her magical voice, but also her unparalleled contribution in giving playback singers their due and credit. She helmed the plea for royalty for the playback singers, which till then would go to producer, composer or even the actor.
By virtue of being a prime and early example of women empowerment in the country and music industry, the Nightingale of India also becomes a face of many such unknown Indian women, who have been there and seen it all—been the bread-winner of a big family, and grown to a level to be the kingpin of India’s highest grossing film industry. So when she says, ‘It was not really the external influences that made me a singer. Music was within me. I was full of it’—it makes perfect sense.
But it would be a cliché to consider Lata Mangeshkar thus, until we shed light on her versatility. With a titanic presence in B-town music, she has also proved equal mettle in non-film ghazal, bhajan, khayal, devotionals, and every other kind that is worth a rendition as well. They say, music traverses beyond language, so does Mangeshkar. Her voice not only strikes a chord in a million hearts by songs in Hindi or Marathi, her first language, the genius has a record of singing in over 36 languages national and international taken together, which also includes Swahili and Nepali.