Topic : In ' My Life' Rassundari is both a conformist housewife or 'grihalaxmi' and a ' woman author' questioning patriarchy.
Answers
Answer:
a mother of 12 children who feels agitated at the very sight of paper and a book. Someone who aspires to be literate in order to read religious books and recite hymns. In her autobiography, Rassundari Devi (1810-?) writes that she used to curse herself for having such evil desires since women from ‘cultured’ households did not learn to read. Literate women were considered bad in the society. Old traditional women would make it into an issue if they spotted a piece of paper in the hands of a young girl. Yet, her desire outweighed her societal fear.
Explanation:
used to be impatient to listen to the Ramayana recitation, but those were different times. Women had no freedom. They could not take any decision on their own. Just like any caged bird, women were imprisoned too.
I could read (religious books) a little bit. But I did not have free time and more importantly the fear of getting caught and punished was always looming over me. Later on, I decided that I would read “Chetna Bhagat” (a religious book) in the morning when all three of my sister-in-laws were busy in religious rituals. Still, I had to read while I hid in some nook and corner of the house as one of my maidservants kept the vigil.”
The first part of “Amar Jiban” was published in 1876. It was a historic event that a woman’s autobiography was published in Bengali. Tarabai Shinde’s “Stri Purush Talana” (1882) in which men and women were compared and it caused ripples in the society of those times, Pandita Ramabai Saraswati’s “The High-Caste Hindu Woman” (1887), were published much later than Rassundari Devi’s Bengali autobiography. Swarnakumari Devi of the Tagore family also got involved with Bengali literature much later when she started editing a Bengali literary magazine in 1884.
The first part of Rassundari Devi’s “Amar Jiban” was written in 1868. She was 88 when she wrote the second part of her autobiography. It was published in 1906.
Jyotirindranath Tagore wrote the foreword to the second edition of “Amar Jiban”. He was a famous author himself and elder brother of Rabindranath Tagore. In the foreword he writes;
“I started reading “Amar Jiban” with an excitement. I had decided that I would mark important and interesting sentences with a pencil. While reading, I realised that the whole book had been marked with a pencil. Her life story startles us. Her writings are so simple, honest and powerful that it is impossible to put down the book without completing it.”
During the 19th and early 20th century, upper caste Hindu as well as Muslim women were living a life similar to that of prisoners, while living under the veil (purdah). We find the description of the pathetic situation of women in the novels of Rabindranath Tagore and Sarat Chandra Chattopadhyay. But the description is even more powerful in “Amar Jiban”. She had to work with her ghoonghat (veil) even in her kitchen. Her voice had to be lowered while talking to maidservants so that no male servant or family member could hear her voice. Even the voice of a woman was imprisoned in the cage of the veil.
“Amar Jiban” is a document that tells us how purdah (veil) was a part of the culture of Bengal. Centuries of patriarchal domination had normalised women into living under such practices and they considered it their rightful duty to remain in this jail. She writes about