Under normal circumstances, a film camera record images at 24 frames per second. Normally, a movie film is also projected at 24 frames per second. Since the projection speed and the recording speed are the same, images on the screen appear to move at their ‘actual speed’.
What can we say about each of the frame that is recorded in a movie film?
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Processes that would normally appear subtle and slow to the human eye, e.g. the motion of the sun and stars in the sky or the growth of a plant, become very pronounced. Time-lapse is the extreme version of the cinematography technique of undercranking. Stop motion animation is a comparable technique; a subject that does not actually move, such as a puppet, can repeatedly be moved manually by a small distance and photographed. Then the photographs can be played back as a film at a speed that shows the subject appearing to move.
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