Uniqueness of the Art forms of
Odisha
Answers
- PATTACHITRA. One of the oldest, as well as prevalent art forms of Odisha, is Pattachitra.
- TALA PATRA. Ever heard of literature being written on palm leaves?
- HANDLOOM TEXTILES.
- PIPLI APPLIQUE WORKS.
- METALWORKS AT BALAKATI.
- POTTERY AND TERRACOTTA.
- WOOD CRAFTS.
- SAND ART.
Answer:
The Indian state of Odisha has a rich cultural and artistic heritage. Due to the reign of many different rulers in the past, arts and crafts in Odisha underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, painting and carving, dance and music.
Explanation:
Major handicrafts in Odisha include applique work, brass and bell metal, silver filigree and stone carving. Other forms include Lacquer, Papier Mache, and tribal combs, handlooms and wood and traditional stone carving.
The history of painting in Odisha dated back to ancient times with rock-shelter paintings, some of which are dated to the early historic period (300 BC – 100 AD). Apart from the rock painting sites, there are several drawings and etching resembling figures on rock surfaces at Digapahandi and Berhampur in Ganjam district and other places. Many of the cave paintings are tribal and rock shelter painting has continued through the centuries as an Oriya tradition. They are often of a decorative nature mixed with rituals and may contain several motifs. Mural paintings in Odisha as elsewhere in India was an ancient tradition and evidence of mural pigment coatings have been found in the caves of Khandagiri and Udayagiri dating back to the reign of Emperor Kharavela who ruled in the 1st century B.C.
On the ceiling of Ravanachhaya at Sitabinji in Keonjhar district is a mural belonging to later Gupta period and shows resemblance to those of the Ajanta style. From the period of 1600 to present murals were painted in the numerous templates of Odisha depicting sacred figures such as the painting of Buddha Vijaya in the Jagamohana of Lakshmi Temple and inside the Jagannath Temple at Puri, the Biranchinarayana Temple, in Buguda, Ganjam district and so on.
Pata painting is considered an important form of Oriya painting which originated from the temple of Jagannath at Puri in the 12th century. This style developed under the patronage of the Ganga kings, and the kings of Bhoi dynasty. The purpose of the pata painting was to popularise the cult of Jagannath to the millions of pilgrims visiting Puri. The pata paintings may, however, take a number of forms and may range from masks to even toys and models.
The Jagannatha Temple in Puri, is also known for its applique artwork of Pipili, silver filigree ornamental works from Cuttack, the Pattachitras (palm leaf paintings), famous stone utensils of Nilgiri (Balasore) and various tribal influenced cultures. The Sun temple at Konark is famous for its architectural splendour while the "Sambalpuri textiles", especially the Sambalpuri Saree, equals it in its artistic grandeur. The different colors and varieties of sarees in Odisha make them very popular among the women of the state. The handloom sarees available in Odisha can be of four major types; these are Ikat, Bandha, Bomkai, and Pasapalli. Odisha sarees are also available in other colors like cream, maroon, brown and rust. The tie-and-dye technique used by the weavers of Odisha to create motifs on these sarees is unique to this region. This technique also gives the sarees of Odisha an identity of their own.
In Odisha, sand art is a unique type of art form developed in Puri.