use of mandala art in indian historical monuments
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In the fall of 1997, the Asia Society presented "Mandala: The Architecture of Enlightenment," the first exhibition ever devoted to the multiple manifestations of the mandala throughout Asia. A mandala is an ancient Hindu and Buddhist graphic symbol of the universe a cosmic diagram that functions as a powerful aid to meditation and concentration. The mandala's symbolic power can be traced back to millennia-old roots in Indian temple architecture, which created sacred spaces linking the worshiper to the larger cosmos. In these temples, time and space were represented in avocabulary of circles and squares.
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In the fall of 1997, the Asia Society presented "Mandala: The Architecture of Enlightenment," the first exhibition ever devoted to the multiple manifestations of the mandala throughout Asia. A mandala is an ancient Hindu and Buddhist graphic symbol of the universe a cosmic diagram that functions as a powerful aid to meditation and concentration.
On view at the Asia Society from September 24, 1997 through January 4, 1998, this exhibition featured more than fifty mandalas and related objects, including sculptures and models of sacred spaces, from Tibet, Nepal, China, Japan, Bhutan, India and Indonesia. Co-organized by the Asia Society and Tibet House,"Mandala: The Architecture of Enlightenment" highlighted the stunning artistry and diversity of this ancient artform and explored the artistic genesis and religious role of the mandala in Buddhism.
In honor of the exhibition, a Kalachakra sand mandala was constructed at the Asia Society by monks from the Namgyal monastery, H.H. The Dalai Lama's personal monastery, it remained on view throughout the exhibition. Also during the run of the exhibition, a series of public events at the Asia Society explored the wide appeal of the mandala and its affinities with representations of sacred space in other religions and cultures.