Using appropriate diagrams, explain the computational difference between Direct Coding and Lookup Table?
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In feature-film visual-effects production, maintaining interactive feedback of high-quality color operations is extraordinarily beneficial to an artist. On the consumer side, enabling the real-time color correction of video and rendered image streams is becoming an increasingly useful tool to shape media's thematic "look." However, directly applying multiple sophisticated color transforms to high-resolution imagery is beyond the real-time capability of modern graphics hardware.
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