what are rooted in the natya shastra
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The Nāṭya Śāstra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is a Sanskrit treatise on the performing arts.[1][2] The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE,[3][4] but estimates vary between 500 BCE and 500 CE.[5]
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The Natyashastra takes these 4 types as provided and divides them into four chapters: stringed instruments, hollow instruments, solid instruments, and cover instruments.
Definition of Natyashastra:
Natyashashtra:
- The Natyashastra is a national treatise on theatre and dance that details the story behind the evolution of the arts in India.
- Before the Natyashastra was established, ancient Indian tradition divided musical instruments into four divisions depending on their acoustic principle.
- The Natyashastra accepts all four categories as provided and devotes four chapters to them: one for stringed instruments (chordophones), one for hollow instruments (aerophones), one for solid instruments (idiophones), and one for covered instruments (idiophones) (membranophones).
Then the Natyashastra takes these 4 types as provided and divides them into four chapters: stringed instruments, hollow instruments, solid instruments, and cover instruments.
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