What are the basis of naming the origin country of the artworks?
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Answer:
painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colours, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light on a flat surface. These elements are combined into expressive patterns in order to represent real or supernatural phenomena, to interpret a narrative theme, or to create wholly abstract visual relationships. An artist’s decision to use a particular medium, such as tempera, fresco, oil, acrylic, watercolour or other water-based paints, ink, gouache, encaustic, or casein, as well as the choice of a particular form, such as mural, easel, panel, miniature, manuscript illumination, scroll, screen or fan, panorama, or any of a variety of modern forms, is based on the sensuous qualities and the expressive possibilities and limitations of those options. The choices of the medium and the form, as well as the artist’s own technique, combine to realize a unique visual image.
The titles I give my work will come to me during the process of making the piece. They generally have to do with one of these things:
the color scheme I used (for example Yellow Oranges)
the design (for example Rhythm #1)
the subject (for example Bread & Butter or Skyline Under the Bridge)
the venue (for example (Cappadocia Caves)
the inspiration (for example my Mobiles #1 is based on Alexander Calder’s mobiles)
my thoughts and emotions during the creative process