What are the literary devices used in the 1st stanza of the poem daffodils ? How does the speaker bring the stars,waves and daffodils together in the poem
Answers
Lines 13-14
The waves beside them danced; but they
Out-did the sparkling waves in glee:
The waves also dance in the breeze, but the daffodils seem happier than the waves. We know from Dorothy Wordsworth’s journal (see "In a Nutshell") that the day that inspired this poem was a stormy one, so the waves on this medium-to-large sized lake must have been larger than usual. Maybe they were even cresting into whitecaps.
The point is that the entire scene has suddenly been invested with a joyful human-like presence. Since waves do not bring as much joy as the yellow flowers, the flowers "out-did" the water with their happiness.
The waves "sparkle," which creates yet another association with the stars. Everything seems to be gleaming and twinkling and shining and sparkling.
Lines 15-16
A Poet could not but be gay,
In such a jocund company:
The speaker reenters the poem. (We’ve haven’t seen you since the first line, buddy.) Except he refers to himself in the first person, by his vocation, "a poet."
Despite his earlier loneliness, the speaker now can’t help but feel happy, or "gay," with such a beautiful vision to look at.
Or, as he puts at, with such joyful and carefree ("jocund") "company" to hang out with. The flowers and waves feel like companions to him. They are all pals. Group hug!
Lines 17-18
I gazed--and gazed--but little thought
What wealth the show to me had brought:
The repetition of "gaze" tells us that he kept looking at the flowers for a long time. It's as if the speaker enjoys looking at these daffodils at the time, but doesn’t realize exactly how great of a gift he has just received with this vision.
Apparently, the speaker doesn't think that he fully appreciated the vision at the time. This is a bit odd, because he seems to be really enjoying those daffodils.
The word "wealth" expresses a more permanent kind of happiness. It also carries a hint of money that does not quite fit with the supernatural language that has come before
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