what are the ways by which locla materials can be integrated into arts?
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SYNCINGIn preparation for the production stage of your Creation Story, you will experience first hand the ways in which your local artists integrate local materials that are easily found and accessed from the immediate environment into their art. Incorporated in the traditional two-dimensional and three-dimensional objects to time-based, dance, music, electronic forms, installation, and other new or alternative media, these materials can function as found objects and ready-mades, or as elements of dance, music, sculpture, painting, mixed media work or installation, as well as production design or animation material, among others. These options tell us that the “local” has to do, not only with what is homebound and accessible, but also about with what is ever-changing and fluid. The local involves not just actual spaces but also virtual, musical and electronic environments, among other realms, which now make up what is within reach or what can be considered the everyday for a wired generation of learners.As we also learned in the previous lessons, mediums or materials are not just tangible objects which artists use to make art; they are also bearers of ideas and knowledge from people and places that can be translated in ways that are meaningful and understandable to audiences encountering the work. In this lesson, examples will be drawn from Performance Art, a category from the visual arts, which, like the performing arts of music, dance, literature and theater, also integrates various mediums in a way that stresses location, space, and process. Performance art may also involve only one artist or a full production very similar to theater and may include one or more sites. FAQ What is meant by the word “local” and how can it be used as material for contemporary art?The “local” can refer to material that is easily available, like bamboo. The local can also refer to wherever the artist finds himself or herself. For Diokno Pasilan, a neo-ethnic musician-visual/performance artist and one time art director from Negros the “local” involves various places: Baguio, Bicol, Palawan (where he resided for a long period), and most recently Victoria, Western Australia, where he resettled. This process entails interacting and immersing with host communities. For example, in a performance for the Third Bagasbas Beach International Environmental Art Festival in the Bicol region, Pasilan communicates the need to be more aware of our natural environment by painting his body green, the color of the environmental movement. Like a bungee jumping human anchor, he thrust