Question

what aspects of the traditional or academic, modern, or the contemporary are you inclined toward and how would this be evoked in your work. make a self-portrait and explain the medium and techniques you used, as well as the style you choose. translate in filipino


Kindly answer this plsss
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Answer 1

Answer:

Have you ever wondered about the difference between modern and contemporary art? Or wondered if there even is a difference between the two? Well, first of all, the two terms are not interchangeable. There is a difference, and it is based on rough date ranges established by art historians, art critics, curators, art institutions, and the like, who recognized a distinct shift that took place, marking the end of Modernism and the beginning of the contemporary age. Modern art is that which was created sometime between the 1860s (some say the 1880s) and the late 1960s (some say only through the 1950s). Art made thereafter (e.g., conceptual, minimalist, postmodern, feminist) is considered contemporary.

Beyond the time frames, there are conceptual and aesthetic differences between the two phases. Art was called “modern” because it did not build on what came before it or rely on the teachings of the art academies. Many art historians, notably art critic Clement Greenberg, consider Édouard Manet to have been the first modern artist not only because he was depicting scenes of modern life but also because he broke with tradition when he made no attempt to mimic the real world by way of perspective tricks. He, instead, drew attention to the fact that his work of art was simply paint on a flat canvas and that it was made by using a paint brush, a paint brush that sometimes left its mark on the surface of the composition. While this shocked audiences and critics, it inspired his peers and the next several generations of artists, each of which, whether in abstract works or representational, experimented with how to

Answer 2

Answer:

Abstract expressionism

Explanation:

Abstract expressionism exists the term used to new conditions of abstract art created by American painters such as Jackson Pollock, Mark Rothko, and Willem de Kooning in the 1940s and 1950s. It exists usually characterized by gestural brushstrokes or mark-making, and the impression of spontaneity.

Monumental in scale and ambition, Abstract Expressionist painting produces the distinctly American spirit of rugged individualism. Valuing freedom, spontaneity, and personal expression, the movement naturally created a combination of technological and aesthetic innovations.

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