what astonishing discovery did patol babu make in telling oh oh oh
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Patol Babu discovered that no part is big or small for an actor. A true actor seize every opportunity and give his best performance even when it is a single word act. And one who do so is a true actor.
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When Patol Babu started rehearsing "Oh, oh,
oh, oh, oh" for his scene, he realized the same exclamation, when spoken
in different ways, carried different shades of meaning. A man when hurt said
'Oh' in quite a different way. Despair brought forth another kind of 'Oh';
sorrow provoked yet another kind. In fact, there were so many kinds of
"Oh's"--the short "Oh", the long-drawn "Oh",
"Oh" shouted and "Oh" whispered, the high-pitched
"Oh" and the low-pitched "Oh", and the "Oh"
starting low and ending high, and the "Oh" starting high and ending
low. Strange! Patol Babu suddenly felt that he could write a whole thesis on
that one monosyllabic exclamation.
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