what changes were noticed when the Indian system of vocal music interfaced with the arab, Iranian and central asian traditions?
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mukhar sangeet kee bhaarateey pranaalee praacheen hai aur kisee bhee arab, eeraanee aur madhy eshiyaee paramparaon kee bhavishyavaanee karata hai. yah saat noton [sa re ga ma pa dha nee mote taur par doo ree mee la itane ephe tee se sambandhit hai] ke aadhaar par adaalat sangeet (sambandhit nrty roopon ke saath pauraanik kathaon mein mahima bhee huee thee) jisamen yah abhee bhee nihit hai. mera maanana hai ki turkee sangeet mein hamaare aath objekt mein 12 nots hain,
ise sanshodhit kie bina islaamee saanskrtik prathaon, bhaarateey sangeet ko ek prakaar kee sanlayan ke lie prerit kiya. dillee saltanat ke ant mein ameer khusaro ne faarasee-arabee adaalat kee bhaasha se alag hokar hindutv kee ek chaal shuroo kar dee (vah sthaaneey bhaasha hindavee kahalaatee) unhonne sitaar aur tabala kee sthaapana kee. main ise phyoojan kahata hoon kyonki rachanaon kee saamagree ab bhee bhaarateey pauraanik vishayon mein prachalit hai jaise ki raam aur krshn (raadha ke saath unake ****** sambandh ke saath baad mein bhakti panth ke peechhe kee boond ko banaate hain jo ek majaboot sangeet samarthan kee maang karate the ) jabaki shiv panth isaka hissa nahin tha.
avadh ke shaasak navaab vaajid alee shaah, jo ki mahaan raam ke "ayodhya" ka ek traansamishan hai, ek mahaan paarivaarik aur yahaan tak ki donon sangeet aur nrty roopon ka ek abhipraay tha, jisake kaaran vah british ko apana raajy kho diya
haalaanki sindhu ke maidaanee ilaakon mein ganga ke maidaanee ilaakon mein yah sthiti thee, jabaki sabhee muslim vijetaon ke lie yah pahala padaav tha ki kahaanee thoda alag thee. panjaab hamesha hindutv ke saanskrtik jhundon ke lie dheele juda tha. jab tak raamaanand saagar ne "mahaabhaarat" ke teevee prastuti par apanee shrrnkhala shuroo nahin kee, tab tak sabase adhik ausat panjaabee logon ko us mahaan mahaakaavy kee baareekiyon aur jatilataon ko jaanane kee koee paravaah nahin thee, jo ki bhaarat ke any bhaagon mein ek dainik saanskrtik khuraak hai. pand (paanch) paandavon ke naam ke lie prashn ka javaab dene ke lie panjaabee ka daur chal raha tha. unaka javaab tha, ek bheem hai, doosara usaka bada aur doosara chhota. main doosare do ke naamon ko bhool gaya hoon . vah bheem se sabase jyaada prabhaavit hue hain jo us pauraanik katha ke sabhee paatron ke sabase shaktishaalee aur nirmit shaktishaalee hain. panjaab ko soophee panthon se bhara tha aur bulleh shaah jaise kaee sangeetakaar, baaba phareed ne ab tak sundar rachanaon ko gaaya tha (paakistaan ko unake lie jagah ka garv hai, jabaki bhaarat mein ye jhatake ya philm sangeet mein samae gae). pahachaan ke roop mein, panjaabee bhaasha aur sanskrti ko svayan ko pakadane ke lie samrddh kiya gaya tha.
ise sanshodhit kie bina islaamee saanskrtik prathaon, bhaarateey sangeet ko ek prakaar kee sanlayan ke lie prerit kiya. dillee saltanat ke ant mein ameer khusaro ne faarasee-arabee adaalat kee bhaasha se alag hokar hindutv kee ek chaal shuroo kar dee (vah sthaaneey bhaasha hindavee kahalaatee) unhonne sitaar aur tabala kee sthaapana kee. main ise phyoojan kahata hoon kyonki rachanaon kee saamagree ab bhee bhaarateey pauraanik vishayon mein prachalit hai jaise ki raam aur krshn (raadha ke saath unake ****** sambandh ke saath baad mein bhakti panth ke peechhe kee boond ko banaate hain jo ek majaboot sangeet samarthan kee maang karate the ) jabaki shiv panth isaka hissa nahin tha.
avadh ke shaasak navaab vaajid alee shaah, jo ki mahaan raam ke "ayodhya" ka ek traansamishan hai, ek mahaan paarivaarik aur yahaan tak ki donon sangeet aur nrty roopon ka ek abhipraay tha, jisake kaaran vah british ko apana raajy kho diya
haalaanki sindhu ke maidaanee ilaakon mein ganga ke maidaanee ilaakon mein yah sthiti thee, jabaki sabhee muslim vijetaon ke lie yah pahala padaav tha ki kahaanee thoda alag thee. panjaab hamesha hindutv ke saanskrtik jhundon ke lie dheele juda tha. jab tak raamaanand saagar ne "mahaabhaarat" ke teevee prastuti par apanee shrrnkhala shuroo nahin kee, tab tak sabase adhik ausat panjaabee logon ko us mahaan mahaakaavy kee baareekiyon aur jatilataon ko jaanane kee koee paravaah nahin thee, jo ki bhaarat ke any bhaagon mein ek dainik saanskrtik khuraak hai. pand (paanch) paandavon ke naam ke lie prashn ka javaab dene ke lie panjaabee ka daur chal raha tha. unaka javaab tha, ek bheem hai, doosara usaka bada aur doosara chhota. main doosare do ke naamon ko bhool gaya hoon . vah bheem se sabase jyaada prabhaavit hue hain jo us pauraanik katha ke sabhee paatron ke sabase shaktishaalee aur nirmit shaktishaalee hain. panjaab ko soophee panthon se bhara tha aur bulleh shaah jaise kaee sangeetakaar, baaba phareed ne ab tak sundar rachanaon ko gaaya tha (paakistaan ko unake lie jagah ka garv hai, jabaki bhaarat mein ye jhatake ya philm sangeet mein samae gae). pahachaan ke roop mein, panjaabee bhaasha aur sanskrti ko svayan ko pakadane ke lie samrddh kiya gaya tha.
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It started in Mughal times, when the singing was done at Akbar's court, the combination of these instruments was used. The music which was popular at that was known as Hindustani classical music.
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