What factors helped Dipa succeeer endeavou
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Karmakar first gained attention when she won a bronze medal at the 2014 Commonwealth Games in Glasgow,becoming the first Indian female gymnast to do so in the history of the Games.She also won a bronze medal at the Asian Gymnastics Championships and finished fifth at the 2015 World Artistic Gymnastics Championships, both firsts for her country.
Karmakar represented India at the 2016 Summer Olympics in Rio de Janeiro, becoming the first Indian female gymnast ever to compete in the Olympics, and the first Indian gymnast to do so in 52 years.She attained fourth position in Women's Vault Gymnastics event at Rio, with an overall score of 15.066.
In July 2018, Karmakar became the first Indian gymnast to win a gold medal at a global event, when she finished first in the vault event of the FIG Artistic Gymnastics World Challenge Cup at Mersin, Turkey.
Karmakar is one of the only five women who have successfully landed the Produnova, which is regarded as the most difficult vault currently performed in women's gymnastics.
Karmakar is a recipient of the Padma Shri, the fourth highest civilian award in the Republic of India. For her performance in Rio Olympics 2016, the Government of India conferred upon her the Rajiv Gandhi Khel Ratna award in August 2016.
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Answer:Coach Bishweshwar Nandi had been five-times National Champion in gymnastics, represented the country in 12 instances and led the Indian gymnastics team six times as captain.Under his supervision, Dipa began her advanced training in 2001 at the Netaji Subhash Regional Coaching Centre (NSRCC), Agartala. Almost immediately she came in the scanner of a SAI (Sports Authority of India) doctor, who squarely blocked her further training because of her flat feet.Highly arched feet are a common feature of top-class gymnasts the world over. Dipa did not have them.Though dejected, coach Bishweshwar did not give up. He visited the National Institute of Sports (NIS) in Patiala to acquaint himself with special exercises that could improve or enhance the arch in Dipa’s feet.Strength, speed, flexibility - the three critical factors in gymnastics - Dipa always had in abundance.“She listens to every instruction,” coach Bishweshwar says. “Dipa has no friends. Not even a boyfriend. Her boyfriend is the gymnastic apparatus!” Perhaps fittingly, it was Bishweshwar Nandi’s record Dipa broke to become the National Champion in gymnastics for the sixth time in July 2014.“She always had an eagerness to learn,” shares Nandi. “I helped her develop her sharpness. After a few years of vigorous exercise, her honesty, discipline and determination brought laurels in the arena.”They did not come without complete devotion and determination.Coach Bishweshwar Nandi, a five-time National Champion in gymnastics, has been a pillar of support to DipaBelonging to a middle-class Bengali family, the five-foot-five-inch tall Dipa lives in Agartala, in the tiny north-east Indian state of Tripura. Her father Dulal Karmakar is a weightlifting coach with the SAI, who instructs at Vivekananda Byamagar, a local gymnasium, while her mother Karmakar is a housewife.When she was a skinny six-year-old, Dipa’s father enrolled her name in the Byamagar in August 1998. She rode pillion on her father’s Vespa scooter six kilometers from home to learn and practise gymnastics.The gymnasium was apportioned into two: one division for weight lifting and the other for gymnastics, with the capacity to accommodate around 18 girls. At that time, all of them practised on apparatus discarded from the NSRCC, run by the State government.Under the guidance of her first gymnastics coach Soma Nandi, Dipa put in for two-and-a-half years of rigorous training. It was here that the talented girl learnt and practised the demanding Produnova vault - named after Yelena Sergeyevna Produnova, a Russian gymnast - with a bunch of gym mattresses.The Produnova, an artistic gymnastics vault comprising a front handspring and two front somersaults, is one of the hardest vaults being done today in Women's Artistic Gymnastics.“Forget about world-class training facilities,” Soma Nandi recalls, “we didn’t even have vaulting tables for the gymnasts in those days. We used to set four thin gymnasium mattresses one above one the other on the floor. The corners of each mattress were strongly fastened with rope, so that it didn’t shake.”