what is the central image presanted in the poem a mother in a refugee camp
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Answer:
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Explanation:
It is a refugee’s camp somewhere in Africa.
The poet gives us a sensible picture of a mother and her youngster. Several needy individuals are tossed out of their homes because of political unsettling influences or normal catastrophes. The displaced people are in a hopeless condition.
The poem starts with the poet comparing the scene of a mother holding her son in a refugee camp with the love and care which is usually depicted in all versions of Mary holding a ding Jesus in her arms.
The poet states that none of the reputed depictions of tenderness could even come near the fragility and beauty of this scene of pathos and heartbreak.
There are multitudinous mothers and kids in the same hopeless condition in the exile camp. Their youngsters are gradually biting the dust of neediness and illnesses.
Be that as it may, the poet attracts our consideration regarding a specific mother and her kid.
They are compared with St. Mary holding baby Jesus in her arms.
Madonna cherishes her youngster since Jesus is the guardian angel of humankind and the child of God.
The world venerates her and her child. Compared with this, the artist presents a poor conventional, obscure mother and child.
The next four lines describe the aura of disease, illness and death which surrounds the camp; describing the smells of the camp, and the ribs of the children protruding from sickness, painting a truly horrifying picture of sick infants and helpless people.
The mother knows her child is gradually dying. It is of no utilization looking after him.
Different mothers in the camp know this fact about their youngsters thus they are indiscreet about their diminishing kids. They would prefer not to additionally squander their chance and vitality and love for the withering kids. It is purposeless for them. So they are latent.
The air was substantial with smells of loose bowels of unwashed youngsters.
However, this mother is altogether different. She is the panorama of parenthood. She adores her kid. Her affection for him is boundless and divine.
She doesn’t need anything as an end-result of her affection and forfeit.
She brushes his filthy hair left on the skull of his head. She painstakingly parts the hair as though she were setting him up to his school toward the beginning of the day. She is completing a ton of work including kissing his temple. It was a demonstration of placing blooms in his little pine box the last love of a mother to her child.
The writer utilizes the words ‘ghost’ and ‘rust’ as illustrations of death.
The mother continues grinning while at the same time brushing his hair, since she realizes that soon the child will pass on.
While conveying baby Jesus in her arms, St. Mary, too, knows well that her child will be nailed to the cross for the advantage of humankind. Subsequently he would turn into the Hero of humanity.
Yet, the refugee mother can’t be pleased with any such accomplishment of her poor child. His demise is definitely not an issue for the world. However her maternal love for her youngster outperforms even the affection for Madonna for her baby Jesus.
The evacuee mother can’t expect anything as an end-result of her forfeit and maternal love for her poor debilitated youngster. Still her adoration and watch over him till his final gasp.