Question

What is the defferince between myanmar ensembles and philippines ensembles

Answer 1

Answer:

The hsaing waing (Burmese: ဆိုင်းဝိုင်း, pronounced [sʰáiɴ wáiɴ]; also spelt saing waing), commonly dubbed the Myanmar traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern-day Myanmar (Burma).

Hsaing waing musicians use a hemitonic and anhemitonic scale similar to the one used by Indonesian gamelan musicians.[1] The ensemble's principal instruments, including the pat waing, kyi waing, and hne, each play variations on a single melody (heterophony).[2]

is the product of indigenous musical traditions enriched with contact with a diverse array of musical traditions in neighboring Southeast Asian societies. The hsaing waing ensemble's principal instrument, a drum circle called pat waing, continues to use Indian drum-tuning methods, is considered the remaining vestige of Indian instrumentation in Southeast Asia.[1] Similar gong and chime ensembles are found in neighboring Thailand and Laos, where it is called piphat, and in Cambodia, where it is called pinpeat. However, these ensembles do not employ the use of a pat waing.

The three major indigenous genres of gong-chime music prevalent in Southeast Asia include the gamelan of western Indonesia; the kulintang of the southern Philippines, eastern Indonesia, and eastern Malaysia; and the piphat of Thailand, Cambodia, Laos, and the hsaing waing of Burma.

A 19th century watercolor depicts hsaing waing musicians accompanying a zat pwe drama performance.

The earliest pictorial evidence of the hsaing waing ensemble dates to the 1600s, coinciding with the Burmese invasion of the Ayutthaya Kingdom, which may have introduced additional instruments, principally a gong chime called kyi waing.[3] However, the hsaing waing differs greatly in its diversity of instruments and musical style from Thai ensembles.[4] Many of the hsaing waing instruments are shared with the Thai piphat mon ensemble of Mon origin, indicating shared origins.

During the British colonial era, Sein Beda, a prominent musician, introduced various innovations to the ensemble, including decorating ensemble stands with traditional Burmese motifs and glass mosaic, introducing a jazz band to the ensemble, creating spotlights, and introducing musician uniforms.[5]

Explanation:

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