what is the reason for the emergence of English tattoo designs
Answers
Explanation:
When we look into the history, there are many debated about the emergence of tattoos but most of the people agree on the fact that tattoos were used by the gangsters or criminals to appear savage.
Most of the gangsters or captives in mid 18's or early 19's were found to have certain patterns drawn on their body parts.
With the passage of time, this criminal association with the tattoo formation was overlooked and it became a fashion trend. Wealthy people used to get it done from different places.
Answer:
Tattooing has been part of British culture for thousands of years, but it was the aristocracy who made it the popular statement of rebellion.
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It was both the scandal and fascination of the age. In 1881, the Queen's grandson and the future King George V, then just 16, received what’s been a rite of passage for many teenagers ever since: a tattoo of a blue and red dragon on his arm, done by an artist in Yokohama.
In newspapers back home, rumours had abounded for weeks that the young royal would soon sport the must-have fad of the age. Some stories wrote that the prince had already had a large arrow inked down his nose. Such was the belief in the tattoo’s existence that his mother, Alexandra of Denmark, wrote a furious letter to her son.
There was no face tattoo. But his inked arm, shown publicly for the first time during his audience with the Emperor Meiji, gave the royal seal of approval to an increasingly popular trend.
Japan's restoration in 1868 had opened up the country for trade to the West for the first time in centuries. Almost immediately, demand for both Japanese products and culture soared. Wealthy European aristocrats began to return home bearing Japanese artwork on their bodies. Now, the news of the prince’s design established a fashionable industry of tattooing in Britain, France and even the US: it became a show of social status – and of the ability to afford such commodities.
“The tattooing of the future king was such a famous moment that there was a drawing imagining what it might look like in the souvenir pull-out for George's marriage in 1893,” says Matt Lodder, a lecturer in contemporary art at the University of Essex.