Question

what is the setting of music "le jeu de robin et de marion" by Adam de Halle. and what is the composition of the music?​

Answer 1

Answer:

The story is a dramatization of a traditional genre of medieval French song, the pastourelle.[3] This genre typically tells of an encounter between a knight and a shepherdess, frequently named Marion. Adam de la Halle's version of the story places a greater emphasis on the activities of Marion, her lover Robin and their friends after she resists the knight's advances.

It consists of dialogue in the old Picard dialect of de la Halle's home town, Arras, interspersed with short refrains or songs in a style which might be considered popular.[4] The melodies to which these are set have the character of folk music, and seem more spontaneous than the author's more elaborate songs and motets. Two of these melodies in fact appear in the motets, Mout me fu gries de departir/Robin m'aime, Robin m'a/Portare and En mai, quant rosier sont flouri/L'autre jour, par un matin/He, resvelle toi Robin. The attribution of these motets to Adam de la Halle is unconfirmed.

Explanation:

Answer 2

The Answer is:

The "Jeu de Robin et Marion" by "Adam de la Halle" was created to "Charles I" of Naples' Angevin Palace. He first travelled to Naples for work under Robert II of Artois. It's been said that the selection of genres was especially troublesome for those royal members who were yearning for France when the drama was originally produced there.

• The plot is a reenactment of the pastourelle, a popular kind of medieval French music. This subgenre often describes a meeting between a farm girl,  Marion,a knight. In Adam "de la Halle's" retelling of the tale, Marion's interactions with her boyfriend Robin & their companions come into focus more when she refuses the knight's overtures.
• It comprises of discourse in Arras, France native "de la Halle's" native ancient French dialect, broken up with brief abstains or songs written in a perhaps modern setting. Compared to the writer's highly intricate duets and choral music, the tunes to which this is set have a folklore feel and appear more unplanned.
• The most well-known composition by "Adam de la Halle", "Le Jeu de Robin et de Marion", is said to be the first French spiritual drama featuring melody. It was created anywhere around 1282 or 1283. Around in this period, it was presented at the Naples Angevin Court.

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