What was Philip's foolish act on the day of the concert?
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The creation of this spectacular success story, undarkened by all but the smallest cloud, poses problems for subsequent biographers. There seem to be no hidden corners in Sousa's life, no buried secrets, no squalid episodes to shock admirers or provoke defenders. In countless interviews, in articles and columns, in autobiography and public statements he acknowledged his ambition and his success openly; he refused to be intimidated by either. His political opinions resembled those held by most of his countrymen, nor was he swayed by particular emotion for any special cause or social reform. He was what he appeared to be: a hard-working, prolific, and energetic musical genius who marketed his special talents effectively (and profitably) for more than forty years. His compositions stir us, as they moved his contemporaries, for understandable reasons. His conducting technique, while not uncontroversial, employed established conventions. Examining the Sousa image then, seems doomed to footnoting the obvious generalizations: the story is too clear and uncomplicated to repay lengthy investigation
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