When a poem has no power what do you call that person?
I will mark that person as brainliest
Answers
Explanation:
1. Alliteration
Alliteration is a fun sound device to play around with. When used well, you can create a standout phrase in poetry. It is a simple yet effective repetition of initial consonant sounds. An example might be "the cerulean sky" or "the flighty fox."
2. Allusion
An allusion is a reference to a person, place, thing, or event. Typically, writers allude to something they suppose the audience will already know about. The concept may be real or imaginary, referring to anything from fiction, to folklore, to historical events.
For example, Seamus Heaney wrote an autobiographical poem titled "Singing School." The title itself alludes to a line from fellow Irish poet William Butler Yeats. In "Sailing to Byzantium," Yeats writes:
Not is there singing school but studying
Monuments of its own magnificence
3. Anaphora
An anaphora is the repetition of the same word or phrase at the beginning of each line. This is done for emphasis and typically adds rhythm to a passage. In Joanna Klink's poem "Some Feel Rain" the phrase "some feel" is repeated throughout, creating a nice rhythm.
Some feel rain. Some feel the beetle startle
in its ghost-part when the bark
Slips. Some feel musk. Asleep against
each other in the whiskey dark, scarcely there.
4. Anapest
Anapest is a metrical foot containing two unstressed syllables followed by a stressed syllable. It is the reverse of dactyl meter. Lord Byron provided us with a great example of anapestic tetrameter in his poem "The Destruction of Sennacherib." Here's a sample:
Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.
5. Assonance
Assonance is the repetition of vowel sounds within a tight group of words. This, too, is done for emphasis and can reinforce a central message. Here's a short example from Carl Sandburg's "Early Moon." Notice the repetition of the vowels O and A.
"Poetry is old, ancient and goes back far."
6. Blank Verse
In blank verse poetry, we usually see iambic pentameter that doesn't rhyme. We'll still enjoy a line with 10 syllables where the first syllable is unstressed and the second is stressed. There just won't be an aim to rhyme the lines.
Wallace Stevens' "Sunday Morning" is an excellent example of a poem written in perfect blank verse.
7. Caesura
This is a deliberate pause, break, or pivot within a line. We typically see these marked by punctuation, including periods, exclamation marks, question marks, and especially dashes and double slashes (//). Caesuras often appear in the middle of a poetic line but can appear near the beginning or end too. Here's an example from Emily Dickinson's "I'm Nobody":
I'm nobody! Who are you?
Are you - Nobody - too?
Then there's a pair of us!
Don't tell! They'd advertise - you know!
8. Couplet
A couplet, as the name suggests, consists of two lines. Typically, those two lines will have the same meter or rhyme. In the case of the latter, you'd refer to it as a rhyming couplet, which is very common in poetry. Together, the two lines usually make up a complete thought. In William Shakespeare's Hamlet, the title character says:
"The time is out of joint, O cursed spite
That ever I was born to set it right!"
9. Dactyl
Dactyl is a metrical foot containing a stressed syllable followed by two unstressed syllables. A well'known example of dactylic meter is Alfred Lord Tennyson's "The Charge of the Light Brigade:"
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward, the Light Brigade!
Charge for the guns!" he said.
Into the valley of Death
Rode the six hundred
Answer:
non power poetry
Explanation:
it is correct ✔ bro