Question

When can the poet finally get about his business? english lesson no 4.1​

Answer 1

Answer:

kent Johnson has a fanatic’s heart and a penchant for real estate, specifically the poetry market. His corner of that market has been a relentless, patently hysterical, coruscating survey of how certain contemporary American poets and styles of poetry become established, enshrined, and then absorbed into the mainstream. Such processes of literary assimilation are, of course, ongoing. What drives Johnson’s various take-downs is the complacency of many self-appointed arbiters of experimental verse. The tendency of such communities to be unaware of the contradictions, ironies, and bad faith that can arise when an avant-garde movement gets established and then institutionalized is another sharp point of his contention.

For decades, Johnson has surveyed the poetry biz provocatively and in poems, criticism, and manifestos. Because of Poetry I Have a Really Big House is a rigorous effort to interrogate the ways that institutional forces frame the reading and valuation of modern poetry. Despite the unstinting passion of his critiques, the tone never curdles into stridency or self-satisfaction. There are no signs of tumors growing on Kent Johnson’s funny bone; the majority of these poems are laugh-out-loud hilarious.

Johnson’s trickster spirit is exuberant and infectious; if critical theory and poetic criticism were always written with such dense humor each would attract more readers. But this does not reduce the impact of the author’s mission to mount a blistering, blustering attack on Official Verse Culture, and those poets who think they transcend it.

Explanation: