Social Sciences, asked by 7428241802b, 6 months ago

when Did the conversation become repetitive to the need of changes ​

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Answered by rohanspatil
1

Dialogue and conversation for learning, education and change. ‘Dialogue’, Freire says, ‘is the encounter between men, mediated by the world, in order to name the world’. Here we explore this idea – and its roots.

Contents: introduction · Gadamer – horizons of understanding · emotions and virtues · Habermas: dialogue, power and distortion · Bohm on dialogue · dialogue and conversation for learning, education and change · conclusion · further reading · how to reference this piece

Conversation and dialogue are not simply the means that educators and animators use, but are also what educators and animators should seek to cultivate in local life. They may be approached as relationships to enter rather than simply as methods. We focus on the thinking of four people in particular:

Paulo Freire – with whom the notion of dialogue has been linked as an educational form;

Hans-Georg Gadamer – the philosopher who uses the metaphor of conversation to think about how we may come to understand the subject matter at issue; and

Jürgen Habermas – the social theorist who argues for the need for ‘ideal speech situations’ in fostering both understanding and a humane collective life.'[A] humane collective life’, he said (1985: 82), ‘depends on vulnerable forms of innovation-bearing, reciprocal and unforcedly egalitarian everyday communication’.

David Bohm – the eminent physicist and friend of Krishnamurti, whose example and practical proposals for dialogue have met a response from a number of different areas – but particularly those, like Peter Senge, who are concerned with organizational development.

Martin Buber has also made a significant contribution to the appreciation of encounter and dialogue in education.

Gadamer – horizons of understanding

I want to begin by approaching conversation as a way of coming to an understanding (sometimes called a dialogic structure of understanding). This particular way of approaching matters is linked to the work of Hans-Georg Gadamer. He describes conversation thus:

[It] is a process of two people understanding each other. Thus it is a characteristic of every true conversation that each opens himself to the other person, truly accepts his point of view as worthy of consideration and gets inside the other to such an extent that he understands not a particular individual, but what he says. The thing that has to be grasped is the objective rightness or otherwise of his opinion, so that they can agree with each other on a subject. (Gadamer 1979: 347)

In conversation, knowledge is not a fixed thing or commodity to be grasped. It is not something ‘out there’ waiting to be discovered. Rather, it is an aspect of a process. It arises out of interaction. The metaphor that Gadamer uses is that of the horizon. He argues that we each bring prejudices (or pre-judgments) to encounters. We have, what he calls, our own ‘horizon of understanding’. This is ‘the range of vision that includes everything that can be see from a particular vantage point’ (ibid: 143). With these pre-judgments and understandings we involve ourselves in what is being said. In conversation we try to understand a horizon that is not our own in relation to our own. We have to put our own prejudices (pre-judgments) and understandings to the test. ‘Only by seeking to learn from the ‘other’, only by fully grasping its claims upon one can it be critically encountered’ (Bernstein 1991: 4). We have to open ourselves to the full power of what the ‘other’ is saying. ‘Such an opening does not entail agreement but rather the to-and-fro play of dialogue’ (op cit). We seek to discover other peoples’ standpoint and horizon. By so doing their ideas become intelligible, without our necessarily having to agree with them (Gadamer 1979: 270), we can come to terms with the other (Crowell 1990: 358).

Answered by Divineshallots09
1

Importance of Repetition. Repetition is an important literary device because it allows a writer or speaker to place emphasis on things they choose as significant. It tells the reader or audience that the words being used are central enough to be repeated, and lets them know when to pay special attention to the language ...

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