Social Sciences, asked by shyamaldebbarma2020, 9 months ago

Which paintings of the medieval period tell us about the customs, cloths, food and other cultural
habits of the people?​

Answers

Answered by tannu5784
0

Explanation:

The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.

The wearing of clothing is exclusively a human characteristic and is a feature of most human societies. Men and women began wearing clothes after the last Ice Age. Anthropologists believe that animal skins and vegetation were adapted into coverings as protection from cold, heat and rain, especially as humans migrated to new climates.

Textiles can be felt or spun fibers made into yarn and subsequently netted, looped, knit or woven to make fabrics, which appeared in the Middle East during the late Stone Age.[1] From the ancient times to the present day, methods of textile production have continually evolved, and the choices of textiles available have influenced how people carried their possessions, clothed themselves, and decorated their surroundings.[2]

Sources available for the study of clothing and textiles include material remains discovered via archaeology; representation of textiles and their manufacture in art; and documents concerning the manufacture, acquisition, use, and trade of fabrics, tools, and finished garments. Scholarship of textile history, especially its earlier stages, is part of material culture studies.

Answered by Anonymous
1

Answer:

Historically, the arts flourished under the support of two main categories of patron: the larger Hindu temples and the princely rulers of states both small and large. Over the last two centuries, the patronage of British residents and art collectors has become important. In independent India, a national art institute, the Lalit Kala Akademi, promotes the visual arts through lectures, prizes, exhibitions, and publications.

The government supports the Sahitya Akademi, which was set up in 1954 to promote excellence in literature; the National School of Drama (1959); and the Sangeet Natak Akademi (1953), which promotes dance.

India has a multiplicity of visual arts extending back over four thousand years. Early painting has not survived, but urban architecture and some small sculptures have. Most of the thousands of stamp seals that have been found are masterpieces of glyphic art, showing the large animals of northwestern India in miniature relief.

The main visual arts arose in the context of religious worship. Sanskrit handbooks still survive stipulating the rules for the production of Hindu religious statues, temples, and paintings. Distinctive regional styles of temple architecture are a feature of the landscape and a clear marker of the presence of Islam, Sikhism, Jainism, Christianity, and Hinduism in each part of the country. Within the Hindu temples there is a great variety of images of the deities, some skilfully carved in stone, some cast in bronze or silver, and some modeled in terra-cotta or wood.

Painting was an ancient accomplishment, although the climate has not been conducive to preservation. One can still see second and third-century wall paintings and monumental Buddhist sculptures in caves in Ajanta (Madhya Pradesh).

Despite Islamic prohibitions on the representation of the human face, painting and drawing flourished under the Moghul emperors. Realistic portraits, historical scenes, and botanical and zoological subjects were evoked with a sensitive line and a subtle pallet of colors during that period.

Painting in oils dates back two centuries, to the time when the first European portrait painters began to work in India. Today there are many professional graphic artists, some inspired by old Indian traditions and some by modern abstract expressionism. Art schools, public exhibitions, and coffee-table books are the means of reaching their public today, while religious patronage has practically evaporated.

Explanation:

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