Which part in this excerpt from Theodore Dreiser’s “My Brother Paul” reflects Dreiser’s desire for acceptance?
As I look back now on my life, I realize quite clearly that of all the members of my family, subsequent to my mother's death, the only one who truly understood me, or, better yet, sympathized with my intellectual and artistic point of view, was, strange as it may seem, this same Paul, my dearest brother. Not that he was in any way fitted intellectually or otherwise to enjoy high forms of art and learning and so guide me, or that he understood, even in later years (long after I had written "Sister Carrie," for instance), what it was that I was attempting to do; he never did. His world was that of the popular song, the middle-class actor or comedian, the middle-class comedy, and such humorous æsthetes of the writing world as Bill Nye, Petroleum V. Nasby, the authors of the Spoopendyke Papers, and "Samantha at Saratoga." As far as I could make out—and I say this in no lofty, condescending spirit, by any means—he was entirely full of simple, middle-class romance, middle-class humor, middle-class tenderness and middle-class grossness, all of which I am very free to say early disarmed and won me completely and kept me so much his debtor that I should hesitate to try to acknowledge or explain all that he did for or meant to me.
Imagine, if you can, a man weighing all of three hundred pounds, not more than five feet ten-and-one-half inches in height and yet of so lithesome a build that he gave not the least sense of either undue weight or lethargy.
Answers
Answered by
9
According to me, the part '.. the only one who truly understood me, or, better yet, sympathised with my intellectual and artistic point of view, was, ....' shows the speaker's desire for acceptance as there is vizibile a clear desire of being acknowledged in the use of the phrase 'the only one'.
Similar questions