Which three parts of this excerpt from Edgar Allan Poe's "The Masque of the Red Death" highlight the suggestion that the powerful and wealthy in the story are insensitive toward the outbreak of the disease and those who are suffering?The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men.But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts.The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure.It was towards the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.
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The answer is the second option- But Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.
This wall had gates of iron.
The courtiers, having entered, brought furnaces and massy hammers and welded the bolts.
The external world could take care of itself. In the meantime, it was folly to grieve or to think.
The prince had provided all the appliances of pleasure.
This wall had gates of iron.
The courtiers, having entered, brought furnaces and massy hammers and welded the bolts.
The external world could take care of itself. In the meantime, it was folly to grieve or to think.
The prince had provided all the appliances of pleasure.
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