why did jayanto choose to travel to bundi in brief
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BY WRITETOSCORE.COM · PUBLISHED AUGUST 21, 2017 · UPDATED SEPTEMBER 19, 2017
Fritz by Satyajit Ray
A word about Satyajit Ray .. Satyajit Ray(1921-92) was a man of cinematography and all other art forms that go with it. Born and brought up in Calcutta, Ray started his career as a low-paid commercial artist. Despite such a humble beginning, the flame of creativity burned in him from the very beginning. His chance encounter with the French film maker Jean Renoir marked a watershed in this master artist’s life. He saw the film Bicycle Thieves by Vittorio de Sica, and from then on, Ray plunged into the world of cinema with all his gusto and verve. Paucity of finance, and many such odds came his way, but he overcame them with remarkable tenacity. He was determined to experiment with film making, because there was no way he could put a lid his restive genius bemoaning his lack f resources.
Satyajit Ray soon rose to fame, like a Phoneix. His first film Pather Panchali (1955) based on a middle class Bengali family won him eleven international awards. With this debut Ray had arrived in the international film-making arena. He wrote stories, their screenplay, music, and directed them to the minutest detail. Among his later day films are Aparojito, Apur Sansar, and The Apu Trilogy. His film Devi and Charulata are acclaimed as two of the best art films ever made anywhere in the world.
Satyajit Ray was a brilliant writer too, who could conjure up complex plots out of very ordinary situations. ‘Fritz’ set in a British-era rest house in a small town named Bundi in Rajasthan grips the reader’s attention till the last scene when it plunges him to a cauldron of fear, confusion, and chimera.
The story … The short story is set in a circuit house (a dak bungalow generally used by senior government officers for short stays). It is situated in Bundi, a small town in Rajastan.Two visitors, the author Shankar and his childhood friend Jayanto have come to explore Bundi, and are put up in the guest house. Jayanto works in a newspaper office and the author teaches in a school. After so many misses, they have managed to get a time slot when they could go out on a journey together.
They are having tea in the circuit house. Jayanto appears lost in some thoughts. The author inquires to know what bothers Jayanto so much. He replies by saying that the faint memories of his first visit to Bundi are rushing into his mind.
Jayanto’s father Animesh Dashgupta used to work in the Archeological Department. His work brought him so many times to Rajasthan – the repository of India’s ancient monuments. Although he was a young child then, the sojourn to Bundi had not quite faded from Jayanto’s mind. The magnificent building stood still there. A few items of furniture he saw then are there too giving an impression of timelessness of the place. Jayanto becomes nostalgic as he recollects the tall rooms, the ventilators tethered to strings, the rose plants outside. The trees stood tall giving refuge to parrots and so many other birds. Jayanto remembered these vividly.
The two friends stepped out sightseeing. They go to see the famous fort of Bundi standing aside the hills.
Time seemed to stand still in the Fort’s vicinity. Everything looked so antiquated, belonging to the bygone era. Only the electric pole standing by the road declared that the old times had yielded place to new age. In the old buildings along the roads, there were unmistakable signs of the old Rajputana’s fabled craftsmanship. The doors and the balconies had intricate designs made on them. The old golden age of master craftsmanship appeared to come alive.
Jayanto was an emotional man by nature. After he landed in Bundi, he seemed to be unusually quiet, and somewhat absent-minded. Perhaps, the sights and sounds of Bundi had stirred a delicate chord in his heart. Jayanto’s palpable sadness didn’t escape Shankar’s notice.
Jayanto reminisces about the large rooms and the over-sized chairs of the circuit house. He used to sit cross-legged on those big chairs. Now, everything seems to have shrunk in size. Shankar dispels his confusion by stating that he has grown in size over the years and that makes him feel so.
Jayanto and Shankar decide to take a stroll outside in the open. After a while, Jayanto seems to be struck by the memory of a Deodar tree that used to stand around that place. He looks somewhat bewildered, and looks around to find the tree. He finds it after a few moments and appears quite excited to discover the Deodar tree there.
Jayanto’s euphoria takes his friend by surprise. Jayanto fixes his gaze on the trunk of the tree and looks into it searchingly. He exclaims that he had an encounter with an European here. The author’s surprise mounts.
please mark it as brainiest
Answer:
A word about Satyajit Ray .. Satyajit Ray(1921-92) was a man of cinematography and all other art forms that go with it. Born and brought up in Calcutta, Ray started his career as a low-paid commercial artist. Despite such a humble beginning, the flame of creativity burned in him from the very beginning. His chance encounter with the French film maker Jean Renoir marked a watershed in this master artist’s life. He saw the film Bicycle Thieves by Vittorio de Sica, and from then on, Ray plunged into the world of cinema with all his gusto and verve. Paucity of finance, and many such odds came his way, but he overcame them with remarkable tenacity. He was determined to experiment with film making, because there was no way he could put a lid his restive genius bemoaning his lack f resources.
Satyajit Ray soon rose to fame, like a Phoneix. His first film Pather Panchali (1955) based on a middle class Bengali family won him eleven international awards. With this debut Ray had arrived in the international film-making arena. He wrote stories, their screenplay, music, and directed them to the minutest detail. Among his later day films are Aparojito, Apur Sansar, and The Apu Trilogy. His film Devi and Charulata are acclaimed as two of the best art films ever made anywhere in the world.
Satyajit Ray was a brilliant writer too, who could conjure up complex plots out of very ordinary situations. ‘Fritz’ set in a British-era rest house in a small town named Bundi in Rajasthan grips the reader’s attention till the last scene when it plunges him to a cauldron of fear, confusion, and chimera.
The story … The short story is set in a circuit house (a dak bungalow generally used by senior government officers for short stays). It is situated in Bundi, a small town in Rajastan.Two visitors, the author Shankar and his childhood friend Jayanto have come to explore Bundi, and are put up in the guest house. Jayanto works in a newspaper office and the author teaches in a school. After so many misses, they have managed to get a time slot when they could go out on a journey together.
They are having tea in the circuit house. Jayanto appears lost in some thoughts. The author inquires to know what bothers Jayanto so much. He replies by saying that the faint memories of his first visit to Bundi are rushing into his mind.
Jayanto’s father Animesh Dashgupta used to work in the Archeological Department. His work brought him so many times to Rajasthan – the repository of India’s ancient monuments. Although he was a young child then, the sojourn to Bundi had not quite faded from Jayanto’s mind. The magnificent building stood still there. A few items of furniture he saw then are there too giving an impression of timelessness of the place. Jayanto becomes nostalgic as he recollects the tall rooms, the ventilators tethered to strings, the rose plants outside. The trees stood tall giving refuge to parrots and so many other birds. Jayanto remembered these vividly.
The two friends stepped out sightseeing. They go to see the famous fort of Bundi standing aside the hills.
Time seemed to stand still in the Fort’s vicinity. Everything looked so antiquated, belonging to the bygone era. Only the electric pole standing by the road declared that the old times had yielded place to new age. In the old buildings along the roads, there were unmistakable signs of the old Rajputana’s fabled craftsmanship. The doors and the balconies had intricate designs made on them. The old golden age of master craftsmanship appeared to come alive.
Jayanto was an emotional man by nature. After he landed in Bundi, he seemed to be unusually quiet, and somewhat absent-minded. Perhaps, the sights and sounds of Bundi had stirred a delicate chord in his heart. Jayanto’s palpable sadness didn’t escape Shankar’s notice.
Jayanto reminisces about the large rooms and the over-sized chairs of the circuit house. He used to sit cross-legged on those big chairs. Now, everything seems to have shrunk in size. Shankar dispels his confusion by stating that he has grown in size over the years and that makes him feel so.
Jayanto and Shankar decide to take a stroll outside in the open. After a while, Jayanto seems to be struck by the memory of a Deodar tree that used to stand around that place. He looks somewhat bewildered, and looks around to find the tree. He finds it after a few moments and appears quite excited to discover the Deodar tree there.
Jayanto’s euphoria takes his friend by surprise. Jayanto fixes his gaze on the trunk of the tree and looks into it searchingly. He exclaims that he had an encounter with an European here. The author’s surprise mounts