why too long reverberation is not desirable
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Reverberation is a convolutional distortion of the speech signal which is quite different from additive noise: it leads to a dispersion of speech energy over time, resulting in a highly nonstationary distortion.....
Longer reverberation times are desirable for music; the ideal length depends on both theroom size and the type of music. For light opera such as Gilbert and Sullivan, where understanding the complicated play of words is critical, a time of 1.0 to 1.2 seconds would not be too low. For a Mozart opera preferred reverberation times might range from 1.2 to 1.5 seconds. A Wagnerian opera is ideal in a 1.5 to 1.6 second room, and romantic symphonies sound best in a 1.7 to 2.1 second hall. For organ concerts and medieval chant, reverberation times between 2.5 and 3.5 seconds are not too long. For example, Chartres Cathedral has a 5 second reverberation time. Clearly there is no single reverberation time that is perfect for all uses of a given room. Variations between 5 and 10% from the ideal values are commonplace....
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Reverberation is a convolutional distortion of the speech signal which is quite different from additive noise: it leads to a dispersion of speech energy over time, resulting in a highly nonstationary distortion.....
Longer reverberation times are desirable for music; the ideal length depends on both theroom size and the type of music. For light opera such as Gilbert and Sullivan, where understanding the complicated play of words is critical, a time of 1.0 to 1.2 seconds would not be too low. For a Mozart opera preferred reverberation times might range from 1.2 to 1.5 seconds. A Wagnerian opera is ideal in a 1.5 to 1.6 second room, and romantic symphonies sound best in a 1.7 to 2.1 second hall. For organ concerts and medieval chant, reverberation times between 2.5 and 3.5 seconds are not too long. For example, Chartres Cathedral has a 5 second reverberation time. Clearly there is no single reverberation time that is perfect for all uses of a given room. Variations between 5 and 10% from the ideal values are commonplace....
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When a sound is produced in a big hall, its wave reflects from the walls and travel back and forth. Due to this, energy does not reduce and the sound persists. Small amount of reverberation for lesser time helps in adding volume to the programmers. Too much reverberation confuses the programmers and must be reduced.
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