English, asked by luxmibenparmar, 5 months ago

write 100 words about rangoli​

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Answered by jananisankar73
2

Answer:

Rangoli is an art form, originating in the Indian subcontinent, in which patterns are created on the floor or the ground using materials such as coloured rice, coloured sand, quartz powder, flower petals, and coloured rocks. It is usually made during Diwali or Tihar, Onam, Pongal, Sankranthi and other Hindu festivals in the Indian subcontinent. It is made mostly during diwali. Designs are passed from one generation to the next, keeping both the art form and the tradition alive.[1]

Rangoli with rich colors drawn on the auspicious occasion of Diwali in Pune, Maharashtra, India by artist Dr. Nilima Surve.

The purpose of rangoli is to feel strength, generosity, and it is thought to bring good luck. Design depictions may also vary as they reflect traditions, folklore, and practices that are unique to each area. It is traditionally done by girls or women, although men and boys do it as well. Generally, this practice is showcased during occasions such as festivals, auspicious observances, marriage celebrations and other similar milestones and gatherings.

Rangoli designs can be simple geometric shapes, deity impressions, or flower and petal shapes (appropriate for the given celebrations), but they can also be very elaborate designs crafted by numerous people. The base material is usually powdered quartz, dry or wet powdered rice or dry flour, to which sindooram (vermilion), pasupu (turmeric) and other natural colours can be added. Synthetic colours are a modern variation. Other materials include red brick powder and even flowers and petals, as in the case of flower rangolis.

Over time, imagination and innovative ideas in Rangoli art have also been incorporated. The hospitality and tourism industries have also had their effect and rangoli has been commercially developed in places such as five star hotels. Its traditional charm, artistry and importance remain still alive.

I hope it's helpful to you....

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