WRITE A LETTER TO YOUR FRIEND ABOUT SM SULTAN
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M Sultan, was a Bengali decolonial artist who worked in painting and drawing. His fame rests on his striking depictions of exaggeratedly muscular Bangladeshi peasants engaged in the activities of their everyday lives.[1] Sultan's early works were influenced by western technics and forms, particularly impressionism, however, in his later works particularly, works exhibited in 1976, we discover there is a constant temptation to decolonize his art technics and forms.
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Sheikh Mohammed Sultan (Bengali: শেখ মহম্মদ সুলতান; 10 August 1923 – 10 October 1994), popularly known as S M Sultan, was a Bengali decolonial artist who worked in painting and drawing. His fame rests on his striking depictions of exaggeratedly muscular Bangladeshi peasants engaged in the activities of their everyday lives.[1] Sultan's early works were influenced by western technics and forms, particularly impressionism, however, in his later works particularly, works exhibited in 1976, we discover there is a constant temptation to decolonize his art technics and forms.[2]
For his achievement in fine arts he was awarded with the Ekushey Padak in 1982; the Bangladesh Charu Shilpi Sangsad Award in 1986; and the Independence Day Award in 1993.[3] His works are held in several major collections in Bangladesh, including the Bangladesh National Museum, the National Art Gallery (Bangladesh), the S.M. Sultan Memorial Museum, and the Bengal Foundation.
Sultan was born in Machimdia village, in what was then Jessore District, British India (now Narail District, Bangladesh) on 10 August 1923. After five years of primary education at Victoria Collegiate School in Narail, he went to work for his father, a mason. Even as a child he felt a strong artistic urge. He seized every opportunity to draw with charcoal, and developed his talent depicting the buildings his father worked on.[4] Sultan wanted to study art in Calcutta (Kolkata), but his family did not have the means to send him. Eventually, he secured financial support from the local zamindar and went to Calcutta in 1938.[5]
Meanwhile, Sultan joined Allama Mashriqi's Khaksar movement in British India. Mustafa Zaman in his article entitled "Revisiting Lal Mia’s vision" wrote: "His fluid movements through myriad social geographies and his proximity with some unique personalities, his engagement with Allama Mashriqi’s Khaksar movement that sought to organise the ‘self’ and ‘Muslim sociality’ to lay the ground for decolonisation; and his sojourns in America and Europe prepared him for his canvases which soon became populated with muscular men and women. These were obvious references to the peasant population he became part of".[6]
There poet and art critic Hasan Shahid Suhrawardy restyled him S. M. Sultan and offered him accommodation in his home and the use of his library.[4] Sultan did not meet the admissions requirements of the Government School of Art, but in 1941 managed to get in with the help of Suhrawardy, who was on the school's governing body.[5][7] Under Principal Mukul Chandra Dey the school deemphasized the copying of Old Masters and moved beyond Indian mythological, allegorical, and historical subjects. Students were encouraged to paint contemporary landscapes and portraits expressing original themes from their own life experience.[1]