Question

write a note on akbar nama​

Answer 1

Answer:

The Akbarnama, which translates to Book of Akbar, is the official chronicle of the reign of Akbar, the third Mughal Emperor (r. 1556–1605), commissioned by Akbar himself by his court historian and biographer, Abu'l-Fazl ibn Mubarak, called one of the "nine jewels in Akbar's court" by Mughal writers.

Explanation:

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Answer 2

Answer:

The Akbarnama, which translates to Book of Akbar, is the official chronicle of the reign of Akbar, the third Mughal Emperor (r. 1556–1605), commissioned by Akbar himself by his court historian and biographer, Abu'l-Fazl ibn Mubarak, called one of the "nine jewels in Akbar's court" by Mughal writers. It was written in Persian, which is the literary language of the Mughals, and includes vivid and detailed descriptions of his life and times.[1] It followed the Baburnama, the more personal memoir by his grandfather, Babur, founder of the dynasty. Like that, it was produced in the form of lavishly illustrated manuscripts.

An Attempt on Akbar's life in Dehli in 1564

Akbar's mother travels by boat to Agra, Victoria and Albert Museum

The work was commissioned by Akbar, and written by Abul Fazl, one of the Nine Jewels (Hindi: Navaratnas) of Akbar's royal court. It is stated that the book took seven years to be completed. The original manuscripts contained many miniature paintings supporting the texts, thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's studio,[2] representing the best of the Mughal school of painting, and masters of the imperial workshop, including Basawan, whose use of portraiture in its illustrations was an innovation in Indian art.[3]

After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r. 1628–1658). Today, the illustrated manuscript of Akbarnma, with 116 miniature paintings, is at the Victoria and Albert Museum. It was bought by the South Kensington Museum (now the V&A) in 1896 from Mrs Frances Clarke, acquired by her husband upon his retirement from serving as Commissioner of Oudh (1858–1862). Soon after, the paintings and illuminated frontispiece were removed from the volume to be mounted and framed for display.[4]