write a note on the kind of English used in the fortune teller poem does it make the characters of the fortune teller more real
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The strong, troubled bonds between parent and child are one of the subjects of Marsha Norman;s Pulitzer Prize-winning play, ’NIGHT MOTHER, and she continues to explore the theme in her first novel. THE FORTUNE TELLER offers a complex portrait of parent-child relationships, ranging from Fay’s desperate, smothering love for Lizzie to the self-absorbed mayor’s wife, who is less concerned with the welfare of her kidnapped sons than she is with turning the situation into a political advantage. The kidnapping drama unfolding throughout the story is tied directly to the issue of abortion, perhaps the most explosive and emotional of parent-and-child related subjects. The theme that emerges again and again in Norman’s story is the potential for pain and sorrow that exists in the depth of a parent’s love for a child, and nearly all of the key events in the book grow out of this complicated but inescapable truth.
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THE FORTUNE TELLER is an absorbing, sometime startling mixture of realism and the supernatural, and Fay Morgan is a fascinating fictional creation. The novel’s best moments are the result of Fay’s matter-of-fact approach to her remarkable psychic gifts--which the book accepts as a given--an approach which makes her use of tarot cards and palm reading seem a natural and understandable part of the real world. Conversely, the novel’s weakest aspects are its occasional lapses in believable human behavior--for example, the hunted kidnapper who nevertheless shows up as scheduled at an arm wrestling competition.
Overall, however, THE FORTUNE TELLER is a compelling book. Beautifully written and peopled with sharply drawn characters, this strange and thought-provoking tale establishes Norman as a presence to be reckoned with in fiction as well as drama.