write a paragraph on. doing. a painting. on canvas. first experience. on. oil painting. between. 200 to. 500 words. please.
Answers
Explanation:
The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, and spanning continents and millennia, the history of painting is an ongoing river of creativity, that continues into the 21st century.[1] Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor.
Developments in Eastern painting historically parallel those in Western painting, in general, a few centuries earlier.[2] African art, Jewish art, Islamic art, Indian art,[3] Chinese art, and Japanese art[4] each had significant influence on Western art, and vice versa.[5]
Initially serving utilitarian purpose, followed by imperial, private, civic, and religious patronage, Eastern and Western painting later found audiences in the aristocracy and the middle class. From the Modern era, the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy.[6] Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class.[7] Finally in the West the idea of "art for art's sake"[8] began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner.[9] The 19th century saw the rise of the commercial art gallery, which provided patronage in the 20th century.
In recent years, water miscible oil paint has become available. Water-soluble paints are either engineered or an emulsifier has been added that allows them to be thinned with water rather than paint thinner, and allows, when sufficiently diluted, very fast drying times (1–3 days) when compared with traditional oils (1–3 weeks).
Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint. Oil paint is usually mixed with linseed oil, artist grade minerAnswer:Oil painting is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium. The oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss.
Early works were still panel paintings on wood, but around the end of the 15th century canvas became more popular as the support, as it was cheaper, easier to transport, allowed larger works, and did not require complicated preliminary layers of gesso (a fine type of plaster). Venice, where sail-canvas was easily available, was a leader in the move to canvas. Small cabinet paintings were also made on metal, especially copper plates. These supports were more expensive but very firm, allowing intricately fine detail. Often printing plates from printmaking were reused for this purpose. The popularity of oil spread through Italy from the North, starting in Venice in the late 15th century. By 1540, the previous method for painting on panel (tempera) had become all but extinct, although Italians continued to use chalk-based fresco for wall paintings, which was less successful and durable in damper northern climates.
Although surfaces like linoleum, wooden panel, paper, slate, pressed wood, Masonite, and cardboard have been used, the most popular surface since the 16th century has been canvas, although many artists used panel through the 17th century and beyond. Panel is more expensive, heavier, harder to transport, and prone to warp or split in poor conditions. For fine detail, however, the absolute solidity of a wooden panel has an advantage.
Tubes of paint
Oil painters traditionally applied paint in layers known as "glazes", a method also simply called "indirect painting". This method was first perfected through an adaptation of the egg tempera painting technique, and was applied by the Flemish painters in Northern Europe with pigments ground in linseed oil. More recently, this approach has been called the "mixed technique" or "mixed method".
Artists in later periods, such as the Impressionist era (late 19th century), often expanded on this wet-on-wet method, blending the wet paint on the canvas without following the Renaissance-era approach of layering and glazing. This method is also called "alla prima". This method was created due to the advent of painting outdoors, instead of inside a studio, because while outside, an artist did not have the time to let each layer of paint dry before adding a new layer. Several contemporary artists use a combination of both techniques to add bold color (wet-on-wet) and obtain the depth of layers through glazing.
When the image is finished and has dried for up to a year, an artist often seals the work with a layer of varnish that is typically made from dammar gum crystals dissolved in turpentine. Such varnishes can be removed without disturbing the oil painting itself, to enable cleaning and conservation. Some contemporary artists decide not to varnish their work, preferring the surface unvarnished.