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flowers have appeared in art for thousands of years, first evidenced in funerary motifs in the earliest Egyptian dynasties, they’ve been used mostly as a sideshow, a decorative motif, a signifying prop. But around 1600, during the time of the tulip mania that rubbled the Netherlandish economy, Dutch artists began to paint blooms as the main attraction: finely wrought bouquets with delicate strokes, an idealistic botanist’s attention to perfection and detail, each variety laden with meaning, some held over from religion, some devised for newly invented varietals. This efflorescence came about with the disposable income of the bourgeoisie and the introduction of the tulip to international trading with the Ottoman Empire; in the court of Constantinople, flowers were all the rage. As an object of desire and prestige, the flower earned its worth as a central subject.
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