History, asked by Siddharthvinod7, 11 months ago

write a short note on temples and bronze sculpture of cholas period for 5 marks

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Answered by JenniferKiller
27

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The period of the imperial Cholas (c. 850 CE - 1250 CE) in South India was an age of continuous improvement and refinement of Dravidian art and architecture. They utilised the wealth earned through their extensive conquests in building long-lasting stone temples and exquisite bronze sculptures, in an almost exclusively Hindu cultural setting.

The Cholas built their temples in the traditional way of the Pallava dynasty, who were themselves influenced by the Amaravati school of architecture. The Chola artists and artisans further drew their influences from other contemporary art and architectural schools and elevated the Dravidian temple design to greater heights.[1] The Chola kings built numerous temples throughout their kingdom, which normally comprised the plains, Central and Northern Tamil Nadu and at times the entire state of Tamil Nadu as also adjoining parts of modern Karnataka and Andhra Pradesh. In the evolution of the Chola temple architecture we can roughly see three major phases, beginning with the early phase, starting with Vijayalaya Chola and continuing till Sundara Chola, the middle phase of Rajaraja Chola and Rajendra Chola when the achievements scaled heights never reached before or since and the final phase during the Chalukya Chola period of Kulottunga Chola I till the demise of the Chola empire.

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Answered by archit952
14
Chola temples often became nuclei settlements. These were centres of craft production. Temples were also endowed with land by rulers as well as by others. The produce of this land went to maintain all the specialists who worked at the temple and very often lived near it.





Amongst the crafts associated with temples, the making of bronze images was the most distinctive. Chola bronze images are considered amongst the finest in the world. While most images were of deities, sometimes images were made of devotees as well
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