Write a story on Timeline..........
Answers
Explanation:
From the events which take place in your novel, to the culture of the people groups present, to the attitudes present in the characters, to the nature of the cosmos and the natural consequences of actions, everything in your story will be rooted in the history of the world. Each of your characters will start out as the sum of everything they've experienced, thought, and done, before the story even began. The society of the world you create—whether a science-fiction utopia, a steam-punk dystopia, a fantasy village of elves, or simply an alternate version of modern Earth—will only make sense and work together organically if there is a common history behind it to make every aspect of the world logical and uniform. And even whether good is cosmically rewarded or if consequences are merely the direct result of actions, depends on what you create as the prehistory of your universe. Today, I'm going to list some tips for what things to consider when creating the time-line of your world, as well as for how to use them.
Answer:
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Explanation:
It can be hard to remember that only 15 years ago the way people engaged with large public events was dramatically different. The presence of cell phone photography—the citizen witness—today is so embedded in our public landscape and understanding of how news happens that it hardly even registers any longer. In virtually any image made of people in public, some proportion will invariably be caught in the act of photographing. The way we experience events unfolding, whether a film premier or a police shooting, has fundamentally changed with the rise of personal tech. Now the default reaction is to raise a smartphone overhead.
September 11 may have been the last time such a news event was experienced by people on the ground without screens. The events of that day are remembered as a landmark in online reporting, a marked shift in the way news is spread and consumed. But while more than half of Americans were cell phone owners at the time, it would be another three or four years until most of those phones were equipped with cameras. The change has been subtle, but between then and now public life has gone from an ostensibly anonymous experience to one where being photographed—and photographing—is ubiquitous.
We lost a lot on 9/11, lives and a sense of security being the most immediate. But the reverberations resulting from the collision of violence and fear with technological gains at the beginning of the 21st century are still being worked out well into its second decade.