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Answer:
Deep Listening
This writing(2) was seeded by the simple desire to share a musical sounding with you, from a CD called Deep Listening,(3) released in 1989 by New Albion Records. I chose this recording both for personal as well as historical reasons: the opening sounds of this recording formed my initial, audible, “contact” with the music of Pauline Oliveros, and this recording also marked the founding of the Deep Listening Band.
Furthermore, Deep Listening, the title of the CD, which refers both to the process by which the music was performed as well as the fact that the music was recorded underground,(4) became Deep Listening®, a name used to refer (back) to the style/practice of composer, performer, philosopher and writer Pauline Oliveros as well as an organization, a (non)site(5) devoted to cultivating the praxis of Deep Listening.(6) Thus, I also write because of my engagement with Deep Listening. Deep Listening, being a practice, remains fluid. Like every multiflorous movement, way of doing, or system of thought, it does not exist outside of the dialogues, the performances, the individual and collective doings, thus mutating, transforming and incarnating itself ad infinitum.(7) And, it “did” before it was named. In this writing, I draw upon my “doing with” Deep Listening, my connection of the last seven years, as well as gesture toward its history and emergences in order to give some insight into the practice.
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