write an essay on the use of the comic elements of Tughlaq
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u o karne ke liye koi go through the way I am sorry for the future life is good for you to the way I am
USE OF THE COMIC ELEMENTS OF TUGHLAQ
Tughlaq is a 1964 Indian Kannada language play written by Girish Karnad. The thirteen-scene play is set during the reign of Muhammad bin Tughlaq. It was first staged in Urdu in 1966, as a student production at the National School of Drama. Most famously, it was staged at Purana Qila, Delhi in 1972.[6] In 1970, it was enacted in English in Mumbai. Tughlaq is based on the life and story of Mohammad-bin-Tughlaq -- the most controversial ruler of the Delhi sultanate. Tughlaq is defined as a historical play because the chief protagonist is a character taken from history and the play documents a series of past events that took place during the reign of Mohammad-bin-Tughlaq. Tughlaq can also be considered as a political play as it represents the reign of a king and his various moves to unify the Hindus and Muslims and establish a just kingdom in Delhi.
His style is, however, straightforward and idiomatic. Girish Kamad is the master of rich vocabulary, therefore he is capable of using appropriate words for different situations, his language suits not only the situation but also the character. He has chosen idiomatic English to reflect the psyche of his characters. His sentences often perform two or three functions at the same time. It sheds light on the character speaking, on the character spoken about, and to further the plot. It almost functions ironically in conveying to the audience a meaning different from that conveys to the character. Kamad’s language is refined, lucid and precise and maintains the decorum in his dialogues.
The playwright, through the play, Tughlaq critically explored the psychic structure of the characters. The morals and manners of the political world have been sensitively and intelligently dealt with. The straggles of the Sultan Muhammad -Bin -Tughlaq were vigorously brought out. Commenting on the thematic concerns of the play, A. K. Sinha rightly observed, ‘Tughlaq presents a rich orchestration of themes subtly interlocked with one another, with a rapid progression of events”