Write an essay on theatre.
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THEATRE
The actual theaters in those days were very primitive, and scarcely any scenery was used; but the dramas produced are the greatest in English literature.
Theatres today are places of amusement, resorted to, as a rule, in the evening after the work of the day. The buildings are large and comfortable, and the scenery is magnificent and realistic.
The scenic arrangements delight the eye, the music charms the soul, and the situations created by the plot are such as to arouse the interest, and make us lose the sense of our own troubles and worries in sympathy with the joys and sorrows of those who are impersonated upon the stage.
Theatres being looked upon, in modern times, largely as places of recreation, the public demands amusement, “and those representations which are of a cheerful and joyous nature, those plots which involve the characters in trouble and leave them in possession of unalloyed happiness, are the most popular, even though in many cases they are untrue to life.
The actual theaters in those days were very primitive, and scarcely any scenery was used; but the dramas produced are the greatest in English literature.
Theatres today are places of amusement, resorted to, as a rule, in the evening after the work of the day. The buildings are large and comfortable, and the scenery is magnificent and realistic.
The scenic arrangements delight the eye, the music charms the soul, and the situations created by the plot are such as to arouse the interest, and make us lose the sense of our own troubles and worries in sympathy with the joys and sorrows of those who are impersonated upon the stage.
Theatres being looked upon, in modern times, largely as places of recreation, the public demands amusement, “and those representations which are of a cheerful and joyous nature, those plots which involve the characters in trouble and leave them in possession of unalloyed happiness, are the most popular, even though in many cases they are untrue to life.
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Hii friend here is ur answer
An Essay on the Theater" is a treatise by experimental playwright Mac Wellman. It was published with the collection of plays entitled The Difficulty of Crossing a Field (University of Minnesota Press, 2008). It is also available, with additional material not included in the book, on Wellman's website (see link below).
The treatise is written in an eccentric style which, at times, reads like a series of aphorisms. Nevertheless, in its totality it presents a vision for contemporary theater which is both cohesive and profound, and which constitutes a radical departure from the Aristotelian paradigm that dominates mainstream theater today, where plot and character are central to the drama. As such, Speculations constitutes a critique of mainstream theater, but it also offers alternatives. It looks at the nature of time and space; the transfer of energy between people, places, and things; the unlimited potential inherent in the present moment; the subjective nature of experience; and discusses the implications of these things for the way we do theater. In the course of his discussion, Wellman alludes to scientific developments which have influenced his understanding of the creative process, such as relativity, chaos theory, and fractal theory. He also makes connections between experimental theater and religious ceremony, both of which seek to plumb the depths of human potential in search of “epiphanies” -- moments of personal revelation or insight which are, for Wellman, the highest object of the theatrical experience.
Wellman has received extensive recognition for his work over the last thirty years, including grants from the National Endowment for the Arts and three Obies (Off-Broadway Theater Awards), the most recent of which was a Lifetime Achievement Award in 2003.
Hope it helps u ❤❤❤❤❤
An Essay on the Theater" is a treatise by experimental playwright Mac Wellman. It was published with the collection of plays entitled The Difficulty of Crossing a Field (University of Minnesota Press, 2008). It is also available, with additional material not included in the book, on Wellman's website (see link below).
The treatise is written in an eccentric style which, at times, reads like a series of aphorisms. Nevertheless, in its totality it presents a vision for contemporary theater which is both cohesive and profound, and which constitutes a radical departure from the Aristotelian paradigm that dominates mainstream theater today, where plot and character are central to the drama. As such, Speculations constitutes a critique of mainstream theater, but it also offers alternatives. It looks at the nature of time and space; the transfer of energy between people, places, and things; the unlimited potential inherent in the present moment; the subjective nature of experience; and discusses the implications of these things for the way we do theater. In the course of his discussion, Wellman alludes to scientific developments which have influenced his understanding of the creative process, such as relativity, chaos theory, and fractal theory. He also makes connections between experimental theater and religious ceremony, both of which seek to plumb the depths of human potential in search of “epiphanies” -- moments of personal revelation or insight which are, for Wellman, the highest object of the theatrical experience.
Wellman has received extensive recognition for his work over the last thirty years, including grants from the National Endowment for the Arts and three Obies (Off-Broadway Theater Awards), the most recent of which was a Lifetime Achievement Award in 2003.
Hope it helps u ❤❤❤❤❤
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