write an imaginative story which has element of fun and humour in it.
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Answer:
Humor, in the main, is something that pleases us, a characteristic alone that can help writers improve the quality of their literary fictional stories. That said, good definitions and valid generalizations about humor are hard to come by. What really amuses us? Who finds what funny? How can literary fiction be enhanced?
For practicality, humor can be thought of as a spectrum; on one spectrum end is buffoonery, ridicule, slip-on-a-banana-peel sort of humor — primarily visual or auditory — and on the other end is humor based on ideas — often incongruous, new awareness, comparisons, mutually understood and agreed upon disparities. Irony resides in this more intellectual end of the spectrum, arguably the most useful humor concept for writers of literary fiction. Whatever we might identify as humor is always dependent on numerous inciting conditions and receptive states that are constantly changing.
A dominant characteristic of humor is surprise, which is entwined in expectations and misdirection. Closely related are comparisons — a source of extensive academic literary analysis — that create incongruities and disparity from norms, and that are pleasurable. And timing is an encompassing and essential element. All this not only improves quality of story, but can improve memorable style characteristics too.
Overall, for the writer, humor is a rich resource. There is always something new. Humor continuously changes as life progresses, and although any serious dissection of humor for better comprehension is immediately outdated, new humor elements constantly increase resources for a writer. Compare humor possibilities of Mark Twain to those of the contemporary writer who has so many more life experiences to draw from.
Story and Character
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Explanation: