write down the summery of Amanda.
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Netflix’s “Amanda Knox” opens with a gut check statement about this case that I hadn’t really considered. There are many reasons that this now-almost-decade-old case entranced the world, but chief among them may be what Knox says herself at the open of the film: “Either I’m a psychopath in sheep’s clothing or I am YOU.” Either this seemingly sweet, naïve girl is actually a total sociopath—someone who tortured and killed her roommate for fun—or this seemingly sweet, naïve girl was accused of something she didn’t do, which means this could happen to anyone. Either situation is terrifying. “Amanda Knox” does an admirable job of detailing the crucial facts of the case. I don’t suspect it will persuade anyone convinced that Knox is akin to the Monster of Florence, and it undeniably takes a pro-Knox stance, but it’s a well-made, accomplished piece of filmmaking that works because of how it focuses such a large case down to its key players, thereby illuminating how something like this could happen to anyone.
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