write short note on swara in indian music in 100 words
Answers
Shadaja (Sa); the rapturous sound of the peacock when rain clouds gather in the sky
Rishabha (Re); the bellowing of a cow when her calf is separated from her
Gandhara (Ga); the bleating of a goat in a flock
Madhyama (Ma); the cry of a heron
Panchama (Pa); the sound of the Indian Kokila (nightingale) in spring
Dhaivata (Dha); the neighing of a horse
Nishada (Ni); the trumpeting of an elephant
An interesting thing that is noted in the swaras is Sa, Ma and Pa are sounds made by birds whereas Re, Ga, Dha and Ni are sounds made by animals. If we get into too deep into these swaras then these swaras further have 7 divisions. Often people seem to get bewildered when they hear the word “RAGA”. Ragas are nothing but different combinations of these swaras where any swara can be repeated or even omitted. We’ll discuss more about swaras and ragas in our upcoming articles.
“Kin bairan kaan bhare, Mora piya mose bolat nahin”
I am sure that only 1% of the readers must have listened to this traditional composition as compared to the 100% readers who must have listened to the latest and very famous composition “Balam Pichkari”. Indian classical music is losing its popularity and value in the current day society especially amongst the youth. The youth of India nowadays prefer to listen to bollywood or western songs instead of classical music. This traditional composition whose lyrics have been mentioned above is in Raag Darbari Kannada which was bought into our North Indian music by Miyan Tansen who was a great musician in Emperor Akbar’s court. Now in India music has many genres like pop, jazz, folk, classical music where classical music can be further classified as Carnatic music and Hindustani music. Hindustani Music is by far the most versatile form of singing and its origination and evolution dates back to the 12th Century CE in areas presently known as the North India, Pakistan, Bangladesh and to some extent in areas of Nepal and Afghanistan, whereas Carnatic Music is a classical tradition of the South India.
Swara (or sur) in music are the fundamental vocal notes. There are seven of them and they are described as sapta swara. They are also named as octaves and together can be named as Sargam. They compose the section of Hindustani and Carnatic music.
They are Sa, Re (Ri) , Ga, Ma, Pa, Dha, Ni.
The long titles and their definitions of the swaras are :
Sa: Shadaja : this sound is produced by a peacock
Re: Rishabha: the sound produced by a cow
This swara is formulated and proclaimed as Ri in Carnatic melody.
Ga: Gandhara : This is bleating sound produced by a goat
Ma : Madhyama : This sound produced by a heron
Pa : Panchama : This sound produced by a nightingale or cuckoo,
dha: Dhaivata : sound made by a horse
Ni : Nishada : this trumpeting sound produced by an elephant.
Thus the swaras are collected from the nature of the sounds which are produced by birds and animals.