write the function of fairy fellas nervous system
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In fairy tales, a fairy godmother (French: fée marraine) is a fairy with magical powers who acts as a mentor or parent to someone, in the role that an actual godparent was expected to play in many societies. In Perrault's Cinderella, he concludes the tale with the cynical moral that no personal advantages will suffice without proper connections.
The fairy godmother is a special case of thedonor.
Actual fairy godmothers are rare in fairy tales, but became familiar figures because of the popularity of the literary fairy tales of Madame d'Aulnoy and other précieuses, and Charles Perrault. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother.[1] The fairy godmother has her roots in the figures of the Fates; this is especially clear in Sleeping Beauty, where they decree her fate, and are associated with spinning.[2]
In the tales of précieuses and later successors, the fairy godmother acts in a manner atypical of fairies in actual folklore belief; they are preoccupied with the character and fortunes of their human protegees, whereas fairies in folklore had their own interests.[3]
Typically, the fairy godmother's protégé is aprince or princess and the hero of the story, and the godparent uses her magic to help or otherwise support them. The most well-known example is probably the fairy godmother in Charles Perrault's Cinderella. Eight fairy godmothers appear in Sleeping Beauty, of Charles Perrault's and in the Grimm Brothers' version titled Little Briar Rose the thirteen so-called godmothers are called Wise Women. The popularity of these versions of these tales led to this being widely regarded as a common fairy-tale motif, although they are less common in other tales.
Indeed, the fairy godmothers were added toThe Sleeping Beauty by Perrault; no such figures appeared in his source, "Sole, Luna, e Talia" by Giambattista Basile.[4] A great variety of other figures may also take this place. She is portrayed as kind, gentle and loving.
The fairy godmother is a special case of thedonor.
Actual fairy godmothers are rare in fairy tales, but became familiar figures because of the popularity of the literary fairy tales of Madame d'Aulnoy and other précieuses, and Charles Perrault. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother.[1] The fairy godmother has her roots in the figures of the Fates; this is especially clear in Sleeping Beauty, where they decree her fate, and are associated with spinning.[2]
In the tales of précieuses and later successors, the fairy godmother acts in a manner atypical of fairies in actual folklore belief; they are preoccupied with the character and fortunes of their human protegees, whereas fairies in folklore had their own interests.[3]
Typically, the fairy godmother's protégé is aprince or princess and the hero of the story, and the godparent uses her magic to help or otherwise support them. The most well-known example is probably the fairy godmother in Charles Perrault's Cinderella. Eight fairy godmothers appear in Sleeping Beauty, of Charles Perrault's and in the Grimm Brothers' version titled Little Briar Rose the thirteen so-called godmothers are called Wise Women. The popularity of these versions of these tales led to this being widely regarded as a common fairy-tale motif, although they are less common in other tales.
Indeed, the fairy godmothers were added toThe Sleeping Beauty by Perrault; no such figures appeared in his source, "Sole, Luna, e Talia" by Giambattista Basile.[4] A great variety of other figures may also take this place. She is portrayed as kind, gentle and loving.
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A fairy tale, wonder tale, magic tale, or Märchen is folklore genre that takes the form of a short story that typically features entities such as dwarfs, dragons, elves, fairies, giants, gnomes, goblins, griffins, mermaids, talking animals, trolls, unicorns, or witches, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described)[1] and explicitly moral tales, including beast fables. The term is mainly used for stories with origins in European tradition and, at least in recent centuries, mostly relates to children's literature.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending)[2] or "fairy tale romance". Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religionand actual places, people, and events; they take place once upon a time rather than in actual times.[3]
Fairy tales are found in oral and in literary form; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world.[4] The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon, such stories may date back thousands of years, some to the Bronze Age more than 6,000 years ago.[5] Fairy tales, and works derived from fairy tales, are still written today.
Folklorists have classified fairy tales in various ways. The Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending)[2] or "fairy tale romance". Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religionand actual places, people, and events; they take place once upon a time rather than in actual times.[3]
Fairy tales are found in oral and in literary form; the name "fairy tale" was first ascribed to them by Madame d'Aulnoy in the late 17th century. Many of today's fairy tales have evolved from centuries-old stories that have appeared, with variations, in multiple cultures around the world.[4] The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon, such stories may date back thousands of years, some to the Bronze Age more than 6,000 years ago.[5] Fairy tales, and works derived from fairy tales, are still written today.
Folklorists have classified fairy tales in various ways. The Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the tales' significance, but no school has been definitively established for the meaning of the tales.
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