Write the review of finding nemo?
Answers
Finding Nemo" has all of the usual pleasures of the Pixar ... The Pixar computer animators, led by writer-director ...
Answer:
On May 30, 2003, Pixar unveiled Finding Nemo, which opened to $70 million in its first weekend, a then record debut for an animated title. The film went on to win the best animated feature Oscar at the 76th Academy Awards. The Hollywood Reporter's original review is below:
Diving into their most realistic and ambitious setting yet, the talents at Pixar have produced an exhilarating fish story in the perfectly cast comic adventure Finding Nemo. Not as flat-out inventive as Monsters, Inc. or as sardonic as A Bug's Life and the Toy Story pics, Nemo finds its own sparkling depths, achieving a less mechanical feel than its predecessors through a stripped-down, fluid narrative and new levels of visual nuance.
Pixar vet Andrew Stanton demonstrates confidence and exuberance in his first stint at the helm, working from a script he co-wrote with Bob Peterson and David Reynolds. With the exception of toddlers who might find a few scary moments too intense, kids will get right into the flow of Nemo, while those viewers old enough to drive will appreciate the plentiful humor designed to sail right over kids' heads — not least of which is the inspired chemistry between leads Albert Brooks and Ellen DeGeneres. Disney is primed to make a whale of a splash at the summer box office.
The marine milieu calls for more visual delicacy and aural subtlety than in past Pixar features — challenges the filmmakers have met through the work of myriad technicians and artists. Before taking poetic license with their CG creations (real fish don't have eyebrows), the animators and designers took lessons in ichthyology (among other things), to good effect. Their imagery captures not only the play of light through the ocean's depths, but the texture of its roiling surface and the luminescence and character-defining locomotion of its inhabitants. Add to that Gary Rydstrom's meticulous sound design and the grown-up music score by Thomas Newman, and the result is the most complex and fully realized environment of any Pixar film.
Nemo dazzles from the get-go, beginning with a pre-credits sequence that might prove more frightening to parents than kids, dramatizing as it does the notion that bad things can happen even in suburbia. Clown-fish couple Marlin and Coral (Brooks, Elizabeth Perkins) have just moved to a nice, quiet neighborhood of the Great Barrier Reef — a peaceful vista of jewel-toned sponges, anemones and sea grasses, and a good place to raise their 400 offspring, who will soon be hatching. Tragedy strikes, leaving Marlin widowed with one survivor in the fish nursery, whom he names Nemo and swears to protect always.
It's no wonder that Marlin turns out to be a nervous, overprotective father who follows little Nemo (Alexander Gould) on his first day of, um, fish school. Nemo's a spirited kid with an endearing flaw — a smaller right fin that flutters constantly — and a healthy sense of rebellion, which he takes to extremes in Dad's anxious presence, venturing off the reef into open waters. A diver promptly snares him as an exotic specimen.
Explanation:
please mark me as BRAINLIEST