write the story of Evelyn's life in your own words.
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Evelyn Glennie, born in Aberdeen, Scotland, in 1965, is the world's foremost, and first full-time, solo percussionist. The recipient of enormous media attention due to her deafness, Glennie is likewise noteworthy for the variety of her repertoire and recording projects. She lost her hearing at the age of 12 and began to study timpani at that time, working extensively with her teacher to learn to sense percussion vibrations. Glennie studied percussion and timpani, though she also studied piano as a secondary focus from 1982, when she enrolled at the Royal Academy of Music in London. Glennie became the first student ever to give a percussion recital or perform a percussion concerto at the RAM. Glennie made her professional debut in 1985, and it did not take long for her musical adventurousness to show itself. In addition to performing with classical ensembles, she commissioned new works (more than 130 works by 2008), single-handedly expanding the repertoire of works for solo percussion. Glennie has had many works written for her by major composers, including James MacMillan (the percussion concerto Veni, veni Emmanuel), Michael Daugherty (UFO), Yi Chen (Percussion Concerto), Thea Musgrave (Journey Through a Japanese Landscape), and many others. Among her recordings is the 2006 Naxos CD of Aurolucent Circles (Concerto for Percussion and Orchestra) and other works by Margaret Brouwer. An energetic concertizer, she is typically on the road for over 100 evenings a year, and has made several dozen recordings.
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Answer:
Evelyn Glennie was born in Aberdeen, Scotland, in 1965. She went to school at the Ellon Academy and discovered percussion at the age of 12, after having played the piano for a couple of years. Her parents bought her a snare drum and she began to take percussion lessons with teacher Ron Forbes, who taught her timpani.
Young Evelyn started to lose her hearing at the age of 8, but didn’t give up music. Together with her teacher, she realized that if you pay great attention, you can feel sounds in your body as well as hear them through your ears.
Glennie was the youngest musician on the record, when the Cults Percussion Ensemble with 14 teenagers from Aberdeenshire, who toured all over Europe and did one unforgettable show at the Royal Albert hall.
Evelyn Glennie was first admitted to the Royal College of Music but not to the Academy, because of her deafness. But as she was at the standards for admission she couldn’t accept the refusal and challenged the whole system of admission and the argument that "no orchestra at the Academy would accept a deaf musician.” As she wanted to become a solo percussionist, this was definitely not an argument. She persisted, and was finally admitted to the Academy in 1982.
Her admission to the Academy profoundly changed the idea of auditions and of who would be granted admission. Even in case of an impairment, if you reach the standards of getting in, you have to be accepted, and the institution needs to adapt to any special needs, not the other way around. Glennie herself refers to her upbringing in the spirit of inclusion, so being excluded so suddenly on false reasons just wasn’t acceptable for her.
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