Write was tellings the girls was blind in the story girls on the train
Answers
Answer:
Paula Hawkins’ 2015 debut thriller, “The Girl on the Train,” made her an instant household name, breaking worldwide publishing sales records and begetting a big-studio blockbuster. Today she dares to make another splash with “Into the Water,” her second novel of sinuous psychological suspense. Where “The Girl on the Train” mined the protagonist’s unmitigated and diffuse psychic turmoil over a marriage gone very, very wrong, Hawkins’ latest foray into the twisted recesses of female consciousness explores the fracturing of bonds that are not romantic but filial. Set in a rural town with an eerie history of women curiously drowning, Hawkins’ intertwining narratives of mothers, daughters and sisters unsettle her readers out of the false presumption that blood is any thicker than, well, water.
The Zimbabwe-born, Oxford-educated former financial journalist soared to literary stardom by way of a milder career as Amy Silver, her romantic fiction nom de plume. In fact, the single, London-based author admitted to The Times that, in keeping with her earlier oeuvre, her real life is similarly quite happy, if uneventful. Perhaps we have Hawkins’ placid personal life to thank for unearthing from the dark corners of her imagination another complex and disturbing tale. The following conversation has been edited for length and clarity.
You completed “Into the Water” so close on the heels of “The Girl on th