Written literature in floklore studies
Answers
Explanation:
Folk literature, also called folklore or oral tradition, the lore (traditional knowledge and beliefs) of cultures having no written language
Answer:
The idea, the word, ‘folk’ has wide range of understanding and connotations – ranging from ‘natural’ to ‘native’ to ‘traditional’ to ‘rural’ and in some cases ‘from the heart.’ The ‘outpourings from the heart’ of native or traditional people later takes the form of folklore.
All folklores are oral traditions, the lore, traditional knowledge and beliefs of cultures often having no written language and they are transmitted, generally, by word of mouth. Like the written literature they contain both prose and verse narratives in addition to myths, dramas, rituals etc. All the cultures have their own folklores.In contrast and traditionally, literature is understood to mean any written work.
All folklores do more than merely conveying heart-pourings of natives about the nature around them. They are often, nay, always the carriers of culture, of social mores, customs and forms of behaviour – that is a society, nay, life in a nutshell. Folklores contain the lofty thoughts of yore and highest metaphysical truths, normally incomprehensible to laymen, in a subtle, story forms.
Literature, in written form, helps in preserving the folklores and oral traditions. But for the literature in this form, the world would have lost almost all the folk and oral traditions. Written books, as recordings of folklores help in passing on the lofty thoughts and ideas to posterity with no or very little changes in contrast to oral traditions where they often get lost in transition. Literature also can highlight the relevance of the stories of the past to the generation of the present, something which the oral traditions cannot strongly do.
Indian Literature, compared to any other literature in the world, played a dominant role in the preservation and propagation of oral traditions and folklores. Very ancients of this land, India, were past masters of all art forms that is folk. Sama Veda, to name one, is probably oldest form of folk music that has survived till date. Even if one takesSama Veda as a rusty folk music, then it is the finest and ancient folk music that the world has ever witnessed.
From the Epics of India, Ramayana and Mahabharata to Jataka tales of Buddhism to PanchaTantras and Hitopadesha toKatha Saritsagarain the medieval period to mystic songs of Bauls of Bengal to numerous works in almost all the main languages of India, the scholars, saints and writers have kept the oral traditions and folklores alive by writing down many a tale.
What is more unique to Indian attempts over centuries in preserving the folklores is the role played by women in it. The roles played by Gargi and Maitreyi of the distant past to Andal of Tamil Nadu at the beginning of the previous millennium to Lalleswari of Kashmir to Molla of Nellore in Andhra Pradesh to AkkaMahadevi of Karnataka to Sahajo Bai, is nothing short of stellar.
India remains one of the world’s richest sources of folktales. Not merely folktales but all forms of oral traditions – proverbs, aphorisms, anecdotes, rumours, songs, impromptu folk street plays – mirror the culture and values of the land in which they take place. They have also helped in binding vastly differing mores and customs of even a single given place. India is one place where the speech of even the most illiterate farmer is filled with lofty thoughts and metaphors.